Música clásica de la era moderna para coro mixto

A hushed a cappella opening in rich harmony immediately captures the ear. The flowing piano joins just before two brief optional solos introduce the beloved nightingale and her tuneful melody. Express...

A hushed a cappella opening in rich harmony immediately captures the ear. The flowing piano joins just before two brief optional solos introduce the beloved nightingale and her tuneful melody. Express...

The word 'hydom' mimics the drone of bagpipes. The word 'tiddlydom' represents the rhythm of the drum. This traditional Czech carol onomatopoetically recreates the sounds of these festive instruments...

The ultimate original madrigal for any choir. Independent vocal lines, terraced dynamics, and a joyful 'music' text create an ideal teaching piece that works well as a concert opener or an a cappella...

The ultimate original madrigal for any choir. Independent vocal lines, terraced dynamics, and a joyful 'music' text create an ideal teaching piece that works well as a concert opener or an a cappella...

Cherubini's 18th-century composition has become one of the most recorded and performed masterworks of our time. Dr. Robinson's well-conceived arrangement can be performed either a cappella or with the...

Cherubini's 18th-century composition has become one of the most recorded and performed masterworks of our time. Dr. Robinson's well-conceived arrangement can be performed either a cappella or with the...

Written by Mexico's first well-known female composer, María Grever, this vals Mexicano (Mexican waltz) makes a charming a cappella work for outstanding choirs. The textured setting offers well-conceiv...

La presente edizione è stata realizzata con il preciso scopo di offrire ad un vasto pubblico musicisti, cultori della musica polifonica sacra, appassionati della musica corale e maestri di coro le qua...

Gesualdo's “Libro primo di Madrigali a cinque voci” was first published in 1594 in part books by Baldini in Ferrara. (However, we know that a "private" printing had existed previously, but no trace of...

In contrast to the two preceding, modern-time editions of Carlo Gesualdo's 'Libro Secondo' by Francesco Vatielli (Rome 1956) and Wilhelm Weismann (Hamburg 1962), both of which were based on the 'Parti...

Carlo Gesualdo's 'Madrigali a cinque voci, Libro Terzo' ('Third book of five voices madrigals') is the third book that Gesualdo issued in Ferrara by the ducal printer Antonio Baldini but, likely, it i...