Música clásica moderna para orquesta de cuerda

Stimmensatz - Flöte/Violine solo; 4 Violinen I; 4 Violinen II; 4 Violinen III; 3 Violoncelli; 3 Kontrabässe - Streichorchester

Experience baroque splendor and captivating passion with the "Concerto in A minor PV 24-F.III No. 4". This masterpiece places the violoncello at the center as an expressive solo instrument, masterfull...

This work originally composed for string quartet was conceived by Mozart for choric instrumentation. As to the playing technique, it is not very difficult.

This work originally composed for string quartet was conceived by Mozart for choric instrumentation. As to the playing technique, it is not very difficult.

Partitur = Cembalo - Streichorchester und B.c.

Partitur = Cembalo - Streichorchester und B.c.

Eine überraschende Entdeckung für die Cello-Konzertliteratur stellt das vorliegende Werk dar, das in der 2. Hälfte des 18. Jahrhunderts entstanden ist und Einflüsse der Mannheimer Schule zeigt, sowie...

18th century ballroom dances.

The Spiritual Concerto for violin and string orchestra by Helmut W. May has everything that is necessary to become a repertory piece for -young violin soloists: of medium difficulty, rewarding, despit...

Especially for school orchestras, this edition offers violin III as alternative for the viola part.

The famous elaborate film opus The Saragossa Manuscript by Polish director Wojciech Jerzy Has revels in montages of time and space to which Penderecki's electronic sound landscapes contribute to the m...

The famous elaborate film opus The Saragossa Manuscript by Polish director Wojciech Jerzy Has revels in montages of time and space to which Penderecki's electronic sound landscapes contribute to the m...

A double concerto which musicians can really enjoy playing, written by a distinguished composer, presenting soloists with rewarding material well suited to their instruments.For inclusion in a concert...

Harald Genzmer, born in 1909, wrote his often-played Sinfonietta for chamber orchestra in 1953. His new 3rd Sinfonietta (2002) is also aimed at amateur orchestras, though it offers worthwhile challeng...

With this double concerto, the Reger pupil Johanna Senfter (1879-1961) is entirely in the tradition of Antonio Vivaldi and J.S. Bach, although she combines the concerto form with the classical four-mo...

Stimmensatz - je 1x Violine 1 bis 8, je 1x Viola 1 und 2, je 1x Violoncello 1 und 2, 1x Kontrabass

The genre of the violoncello concerto was born in 17th-century Italy. Thanks to the Venetian composer Antonio Vivaldi (1678-1741), there exists today not only a wealth of magnificent violin concertos...

The genre of the violoncello concerto was born in 17th-century Italy. Thanks to the Venetian composer Antonio Vivaldi (1678-1741), there exists today not only a wealth of magnificent violin concertos...

The genre of the violoncello concerto was born in 17th-century Italy. Thanks to the Venetian composer Antonio Vivaldi (1678-1741), there exists today not only a wealth of magnificent violin concertos...

The genre of the violoncello concerto was born in 17th-century Italy. Thanks to the Venetian composer Antonio Vivaldi (1678-1741), there exists today not only a wealth of magnificent violin concertos...

Perfect example for an early symphony in the Neapolitan style.