Música clásica moderna para orquesta de cuerda

Another skilled adaptation of a Beethoven scherzo comes from notable music educator and conductor, Jamin Hoffman. Once again, you can share the power and artistry of a Beethoven symphony with your int...

Featuring quartet options within the ensemble and inventive variations, Grand Dances is a superb teaching piece in the Renaissance and Baroque style, carefully crafted for student groups by veteran ar...

Featuring quartet options within the ensemble and inventive variations, Grand Dances is a superb teaching piece in the Renaissance and Baroque style, carefully crafted for student groups by veteran ar...

Featuring quartet options within the ensemble and inventive variations, Grand Dances is a superb teaching piece in the Renaissance and Baroque style, carefully crafted for student groups by veteran ar...

Featuring quartet options within the ensemble and inventive variations, Grand Dances is a superb teaching piece in the Renaissance and Baroque style, carefully crafted for student groups by veteran ar...

Featuring quartet options within the ensemble and inventive variations, Grand Dances is a superb teaching piece in the Renaissance and Baroque style, carefully crafted for student groups by veteran ar...

Featuring quartet options within the ensemble and inventive variations, Grand Dances is a superb teaching piece in the Renaissance and Baroque style, carefully crafted for student groups by veteran ar...

Featuring quartet options within the ensemble and inventive variations, Grand Dances is a superb teaching piece in the Renaissance and Baroque style, carefully crafted for student groups by veteran ar...

A medley including excerpts from: Piano Concerto No. 22; Piano Concerto No. 20; Confutatis (from Requiem, K. 626); Symphony No. 25.

A medley including excerpts from: Piano Concerto No. 22; Piano Concerto No. 20; Confutatis (from Requiem, K. 626); Symphony No. 25.

A medley including excerpts from: Piano Concerto No. 22; Piano Concerto No. 20; Confutatis (from Requiem, K. 626); Symphony No. 25.

A medley including excerpts from: Piano Concerto No. 22; Piano Concerto No. 20; Confutatis (from Requiem, K. 626); Symphony No. 25.

A medley including excerpts from: Piano Concerto No. 22; Piano Concerto No. 20; Confutatis (from Requiem, K. 626); Symphony No. 25.

A medley including excerpts from: Piano Concerto No. 22; Piano Concerto No. 20; Confutatis (from Requiem, K. 626); Symphony No. 25.

A medley including excerpts from: Piano Concerto No. 22; Piano Concerto No. 20; Confutatis (from Requiem, K. 626); Symphony No. 25.

Written in 1768 when he was just 12 years old, Mozart's first opera was a marvel to many, but suspect to others (jealous composers) who claimed it was actually written by his mentoring father, Leopold...

Written in 1768 when he was just 12 years old, Mozart's first opera was a marvel to many, but suspect to others (jealous composers) who claimed it was actually written by his mentoring father, Leopold...

Written in 1768 when he was just 12 years old, Mozart's first opera was a marvel to many, but suspect to others (jealous composers) who claimed it was actually written by his mentoring father, Leopold...

Written in 1768 when he was just 12 years old, Mozart's first opera was a marvel to many, but suspect to others (jealous composers) who claimed it was actually written by his mentoring father, Leopold...

Written in 1768 when he was just 12 years old, Mozart's first opera was a marvel to many, but suspect to others (jealous composers) who claimed it was actually written by his mentoring father, Leopold...

Written in 1768 when he was just 12 years old, Mozart's first opera was a marvel to many, but suspect to others (jealous composers) who claimed it was actually written by his mentoring father, Leopold...

Written in 1768 when he was just 12 years old, Mozart's first opera was a marvel to many, but suspect to others (jealous composers) who claimed it was actually written by his mentoring father, Leopold...

Written in 1768 when he was just 12 years old, Mozart's first opera was a marvel to many, but suspect to others (jealous composers) who claimed it was actually written by his mentoring father, Leopold...

From the Renaissance, John Leavitt brings this terrific ensemble work that is filled with teaching opportunities and performance options. In G major, it features a bit of chromaticism, just right for...

From the Renaissance, John Leavitt brings this terrific ensemble work that is filled with teaching opportunities and performance options. In G major, it features a bit of chromaticism, just right for...