Música clásica romántica para orquesta

Sergei Prokofiev (1891-1953) dedicó su CONCERTO para piano nº 1 en re bemol, Op. 10, a su maestro Nikolai Tcherepnin. Lo compuso en los años 1911 y 1912, y lo estrenó en Moscú el 18 de mayo de 1912 ba...

Richard Wagner's (1813-1883) collection of five songs titled Fünf Gedichte für eine Frauenstimme (Five Poems for a Female Voice), WWV 91, is more commonly known as Wesendonck Lieder after the source o...

Richard Wagner's (1813-1883) collection of five songs titled Fünf Gedichte für eine Frauenstimme (Five Poems for a Female Voice), WWV 91, is more commonly known as Wesendonck Lieder after the source o...

Richard Wagner's (1813-1883) collection of five songs titled Fünf Gedichte für eine Frauenstimme (Five Poems for a Female Voice), WWV 91, is more commonly known as Wesendonck Lieder after the source o...

Richard Wagner's (1813-1883) collection of five songs titled Fünf Gedichte für eine Frauenstimme (Five Poems for a Female Voice), WWV 91, is more commonly known as Wesendonck Lieder after the source o...

Der Freischuetz (The Marksman), Op. 77, J.277 has come to be considered the first German Romantic opera. Carl Maria von Weber (1786-1826) composed Der Freischuetz between 1817 and 1821, based on Johan...

Der Freischuetz (The Marksman), Op. 77, J.277 has come to be considered the first German Romantic opera. Carl Maria von Weber (1786-1826) composed Der Freischuetz between 1817 and 1821, based on Johan...

The SAINT JOHN PASSION, BWV 245, is the oldest of the surviving J.S. Bach (1685-1750) Passions, written during his first year as director of church music in Leipzig. It was premiered on April 7, 1724,...

The SAINT JOHN PASSION, BWV 245, is the oldest of the surviving J.S. Bach (1685-1750) Passions, written during his first year as director of church music in Leipzig. It was premiered on April 7, 1724,...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...

On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...

On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...

Tras la derrota de Napoleón en la campaña de 1813, el patriotismo alemán ganó popularidad. Esta tendencia ejerció una gran influencia en la poesía y la música de la época. En 1814, Friedrich Treitschk...

Tras la derrota de Napoleón en la campaña de 1813, el patriotismo alemán ganó popularidad. Esta tendencia ejerció una gran influencia en la poesía y la música de la época. En 1814, Friedrich Treitschk...

The song cycle LES NUITS D'ETE (SUMMER NIGHTS) is a setting of six poems by composer Hector Berlioz' (1803-1869) neighbor and friend, Théophile Gautier. The text deals in themes of love in all its fac...

The song cycle LES NUITS D'ETE (SUMMER NIGHTS) is a setting of six poems by composer Hector Berlioz' (1803-1869) neighbor and friend, Théophile Gautier. The text deals in themes of love in all its fac...

Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...

Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...

When the American, music-loving philanthropist, Mrs. Jeannette Thurber, convinced the world-renowned Czech composer Antonín Dvořák (1841-1904) to be the new director of her National Conservatory of Mu...

Esta edición de la obra más famosa de George Frideric Handel fue editada por Ebenezer Prout, e incluye acompañamientos adicionales en gran parte reescritos por él. El prefacio de Prout ofrece una ampl...

Esta edición de la obra más famosa de George Frideric Handel fue editada por Ebenezer Prout, e incluye acompañamientos adicionales en gran parte reescritos por él. El prefacio de Prout ofrece una ampl...