Música clásica romántica para orquesta
Anton Bruckner composed his first mass, the Mass in D minor, in 1864 in just four months. It was not ready in time for the Kaiser Franz Joseph I's birthday, as planned, but was first performed on 20 N...
Anton Bruckner composed his first mass, the Mass in D minor, in 1864 in just four months. It was not ready in time for the Kaiser Franz Joseph I's birthday, as planned, but was first performed on 20 N...
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Bruckner’s mighty "Mass in F minor" is one of his most significant creations and one of the great 19th-century choral works. The composer uniquely succeeds in exploring faith through the lens of music...
Bruckner’s mighty "Mass in F minor" is one of his most significant creations and one of the great 19th-century choral works. The composer uniquely succeeds in exploring faith through the lens of music...
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Shining rays stream from the 'Messe de sainte Cécile'. At first people were dazzled, then bewitched, then overcome.' This is how the composer Camille Saint-Saëns described the impression made on him b...
Shining rays stream from the 'Messe de sainte Cécile'. At first people were dazzled, then bewitched, then overcome.' This is how the composer Camille Saint-Saëns described the impression made on him b...
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Shining rays stream from the 'Messe de sainte Cécile'. At first people were dazzled, then bewitched, then overcome.' This is how the composer Camille Saint-Saëns described the impression made on him b...
Shining rays stream from the 'Messe de sainte Cécile'. At first people were dazzled, then bewitched, then overcome.' This is how the composer Camille Saint-Saëns described the impression made on him b...
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Shining rays stream from the 'Messe de sainte Cécile'. At first people were dazzled, then bewitched, then overcome.' This is how the composer Camille Saint-Saëns described the impression made on him b...
Shining rays stream from the 'Messe de sainte Cécile'. At first people were dazzled, then bewitched, then overcome.' This is how the composer Camille Saint-Saëns described the impression made on him b...
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Webers "Missa sancta No. 1" in Es-Dur ist auch unter dem Beinamen "Freischütz-Messe" bekannt, da er sie 1818 während der Arbeit an der gleichnamigen Oper komponierte. Die Messe erfreute sich bereits b...
Webers "Missa sancta No. 1" in Es-Dur ist auch unter dem Beinamen "Freischütz-Messe" bekannt, da er sie 1818 während der Arbeit an der gleichnamigen Oper komponierte. Die Messe erfreute sich bereits b...
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As an acclaimed opera composer, Georges Bizet admitted that he had no real sensibility for sacred music. His Te Deum is nonetheless a truly fascinating and highly expressive work. From the majestic "T...
As an acclaimed opera composer, Georges Bizet admitted that he had no real sensibility for sacred music. His Te Deum is nonetheless a truly fascinating and highly expressive work. From the majestic "T...
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In 1892 Dvorák received a prestigious commission from New York to write a festive cantata to commemorate the 400th anniversary of Christopher Columbuss discovery of America. In response he wrote an im...
In 1892 Dvorák received a prestigious commission from New York to write a festive cantata to commemorate the 400th anniversary of Christopher Columbuss discovery of America. In response he wrote an im...
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In 1892 Dvorák received a prestigious commission from New York to write a festive cantata to commemorate the 400th anniversary of Christopher Columbuss discovery of America. In response he wrote an im...
In 1892 Dvorák received a prestigious commission from New York to write a festive cantata to commemorate the 400th anniversary of Christopher Columbuss discovery of America. In response he wrote an im...
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Stimmen im Set: 7x Violine 1; 6x Violine 2; 5x Viola; 4x Violoncello; 3x Kontrabass
Stimmen im Set: 7x Violine 1; 6x Violine 2; 5x Viola; 4x Violoncello; 3x Kontrabass
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Solo SMsTB, Coro SATB, 3 Fl (mit Picc), 2 Ob, 2 Clt, 4 Fg, 4 Cor, 8 Tr, 3 Trb, Ophikleide, Timp, Perc, 2 Vl, Va, Vc, Cb Unter den zahlreichen Kompositionen Verdis bleibt das Requiem als kirchenmusikal...
Solo SMsTB, Coro SATB, 3 Fl (mit Picc), 2 Ob, 2 Clt, 4 Fg, 4 Cor, 8 Tr, 3 Trb, Ophikleide, Timp, Perc, 2 Vl, Va, Vc, Cb Unter den zahlreichen Kompositionen Verdis bleibt das Requiem als kirchenmusikal...
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Harmoniestimmen: 1x FL-PICC, 1x FL1, 1x FL2, 1x OB1, 1x OB2, 1x KLAR1, 1x KLAR2, 1x FAG1, 1x FAG2
Harmoniestimmen: 1x FL-PICC, 1x FL1, 1x FL2, 1x OB1, 1x OB2, 1x KLAR1, 1x KLAR2, 1x FAG1, 1x FAG2
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- Partichelas de viento
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disponible en 2-5 días laborables
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- Partichela de violín 1
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disponible en 2-5 días laborables
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- Partichela de violín 2
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- Partichela de viola
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During his most productive period as an opera composer, Camille Saint-Saëns also wrote sacred works, among which his Oratorio de Noël has enjoyed great worldwide popularity. The colorful and opulently...
During his most productive period as an opera composer, Camille Saint-Saëns also wrote sacred works, among which his Oratorio de Noël has enjoyed great worldwide popularity. The colorful and opulently...
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Anton Bruckner composed his Requiem in D minor at the young age of 24 in memory of a friend of his father's who was his patron. The work was greatly influenced by the Viennese classical style. He revi...
Anton Bruckner composed his Requiem in D minor at the young age of 24 in memory of a friend of his father's who was his patron. The work was greatly influenced by the Viennese classical style. He revi...
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Through works such as Verdi’s Requiem or Puccini’s Messa di Gloria, we know that the great composers of Italian bel canto opera also wrote marvelous sacred music. Yet most of these pieces are rarely p...
Through works such as Verdi’s Requiem or Puccini’s Messa di Gloria, we know that the great composers of Italian bel canto opera also wrote marvelous sacred music. Yet most of these pieces are rarely p...
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Through works such as Verdi’s Requiem or Puccini’s Messa di Gloria, we know that the great composers of Italian bel canto opera also wrote marvelous sacred music. Yet most of these pieces are rarely p...
Through works such as Verdi’s Requiem or Puccini’s Messa di Gloria, we know that the great composers of Italian bel canto opera also wrote marvelous sacred music. Yet most of these pieces are rarely p...
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Bruckner described his setting of Psalm 150 of 1892 as 'my best festive cantata of all'. Psalm 150 has a definite festive character, manifested straight away in the monumental Hallelujah theme for the...
Bruckner described his setting of Psalm 150 of 1892 as 'my best festive cantata of all'. Psalm 150 has a definite festive character, manifested straight away in the monumental Hallelujah theme for the...
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Bruckner described his setting of Psalm 150 of 1892 as 'my best festive cantata of all'. Psalm 150 has a definite festive character, manifested straight away in the monumental Hallelujah theme for the...
Bruckner described his setting of Psalm 150 of 1892 as 'my best festive cantata of all'. Psalm 150 has a definite festive character, manifested straight away in the monumental Hallelujah theme for the...
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disponible en 2-5 días laborables
Bruckner described his setting of Psalm 150 of 1892 as 'my best festive cantata of all'. Psalm 150 has a definite festive character, manifested straight away in the monumental Hallelujah theme for the...
Bruckner described his setting of Psalm 150 of 1892 as 'my best festive cantata of all'. Psalm 150 has a definite festive character, manifested straight away in the monumental Hallelujah theme for the...
- Voz (aguda), coro mixto (SATB) y orquesta
- Partichela de violín 1
- Carus-Verlag
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disponible en 2-5 días laborables
Bruckner described his setting of Psalm 150 of 1892 as 'my best festive cantata of all'. Psalm 150 has a definite festive character, manifested straight away in the monumental Hallelujah theme for the...
Bruckner described his setting of Psalm 150 of 1892 as 'my best festive cantata of all'. Psalm 150 has a definite festive character, manifested straight away in the monumental Hallelujah theme for the...
- Voz (aguda), coro mixto (SATB) y orquesta
- Partichela de violín 2
- Carus-Verlag
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disponible en 2-5 días laborables