Música clásica romántica para orquesta

Este Informe Crítico, publicado por separado, ofrece información exhaustiva sobre la génesis, la transmisión, las fuentes y las lecturas de las obras editadas en este volumen.

The performance material available up till now for Dvorák's sun-filled cheerful Symphony no. 8 has been notorious for its myriad mistakes. The challenge of correcting it has now been taken over by the...

El material de interpretación previamente disponible para la soleada y alegre Sinfonía nº 8 de Dvorák es notorio por sus errores. El editor Jonathan Del Mar ha asumido esta exhaustiva tarea de correcc...

The 'New World' Symphony, a jewel of the symphonic repertoire, is finally available in a dependable scholarly-critical edition. Yet again Jonathan Del Mar has managed to untangle a complex network of...

This separately published Critical Commentary offers extensive information on the genesis, reception, sources, and readings of the works included in the music volume.

La sinfonía "Desde el Nuevo Mundo", una joya de la literatura sinfónica, está por fin disponible en una edición fiable y crítica. Una vez más, el editor Jonathan Del Mar aporta claridad a la compleja...

Composed in 1876, Dvorák's only piano concerto has been overshadowed by his other two concertos, for violin and violoncello, respectively. Performers and editors have often attempted to upgrade this p...

> First Urtext edition of the original piano reduction<br>> Variants in the solo part rendered as ossia passages<br>> Foreword on the work’s genesis (Ger/Cz/Eng) and detailed Crit...

The first four symphonic poems from Smetana's six-part cycle Má vlast (My Country) were written in 1874-75 and arranged for piano duet shortly after the completion of the fourth part, From Bohemia's W...

Smetana compuso los cuatro primeros poemas sinfónicos del ciclo de seis partes Mi patria en los años 1874-1875 y, tras completar la cuarta parte - De la arboleda y el campo de Bohemia - pronto arregló...

Since 2014, the six symphonic poems of the cycle "My Fatherland" by Bedrich Smetana have been published individually in new Urtext editions edited by Hugh Macdonald. Now all six parts of this unique w...

Desde 2014, los seis poemas sinfónicos del ciclo "Mi patria" de Bedrich Smetana han sido publicados individualmente por Bärenreiter en nuevas ediciones Urtext, editadas por Hugh Macdonald. La presente...

'I can't remember when another work made a more lively, beautiful impression on me' - this is what a very enthusiastic Felix Mendelssohn wrote to Niels Gade in January 1843. On March 2nd he premiered...

Gade composed the cantata 'The Crusaders' op. 50 for soloists, choir and orchestra (termed as 'Dramatic Poem' in the original print) in the summer of 1865; it was premiered on 24 April 1866. Together...

Psyches Liebe und innige Hingabe und Treue führen sie durch Leid und Tod zu einer höheren Welt und zu einem höheren, reineren Leben – es schmeckt doch immer nach Vogel, auch wenn man bloß den Flügelsc...

In the style of commedia dell'arte In 1918 Gabriel Fauré, then 73 years old, received a commission from Prince Albert I of Monaco to write stage music invoking the atmosphere of the 'commedia dell'art...

> First Urtext edition > Based on 'Gabriel Fauré The Complete Works' > Score and orchestral parts in a large format (25.5 x 32.5 cm) ncidental music with the famous 'Sicilienne' Fauré wrote 'Pelléas e...

> Primera edición Urtext Basada en la edición completa 'Gabriel Fauré Œuvres complètes' Partitura y partes orquestales en gran formato (25,5 x 32,5 cm) Fauré escribió originalmente 'Pelléas et Mélis...

> First scholarly-critical edition of this famous symphony based on 'Camille Saint-Saëns - Complete Edition of the Instrumental Works' > Now with separate parts for all winds > Orchestral parts in a l...

He dado todo lo que podía dar en esta obra. [...] Lo que he hecho aquí, nunca lo volveré a hacer. Camille Saint-Saëns estaba justificadamente orgulloso de su Tercera Sinfonía en do menor op. 78, dedic...

When death takes up the fiddle at midnight to summon the skeletons to an eerie, enchanting waltz: Camille Saint-Saëns’ “Danse macabre” Op. 40 stands as one of the most thrilling and captivating master...