Música sacra para coro mixto

Memley has set this thoughtful 19th century Barnes' poem in a contemporary madrigal style. Pensive moments cadence on stunning chords, gentle dissonances provoke the listener's ears, woven together in...

Enjoy the contrapuntal textures and fluid lines of the High Renaissance in this 16th century masterwork by the Spanish composer Tomas Luis de Victoria to the text from Isaiah 53. Duration: ca. 3:20.

Enjoy the contrapuntal textures and fluid lines of the High Renaissance in this 16th century masterwork by the Spanish composer Tomas Luis de Victoria to the text from Isaiah 53. Duration: ca. 3:20.

Here is a work with unusual clarity and sonority, perfect for a smaller ensemble or for madrigal singers. While written in simple four-part, this work still demands working with the details of this be...

Using driving recurring rhythms and themes sung in jubilant homophony, this song is perfect for high school and beyond and is well suited for festival use. A carefully crafted, lively selection for an...

It is the lovely and lofty harmonies that Dr. Eglin crafts to Blew's 19th century poem that enable this choral to work well in both school and church. Using a contemporary madrigal style with a beseec...

It is the lovely and lofty harmonies that Dr. Eglin crafts to Blew's 19th century poem that enable this choral to work well in both school and church. Using a contemporary madrigal style with a beseec...

Eglin has set The Lord's Prayer to music using a modern madrigal style. Tender suspensions and beguiling harmonies add a profound depth to this familiar prayer, written in Latin. Excellent for church...

Eglin has set The Lord's Prayer to music using a modern madrigal style. Tender suspensions and beguiling harmonies add a profound depth to this familiar prayer, written in Latin. Excellent for church...

Dr. Cristian Grases of USC is a native of Argentina. He is the editor of a new series with Gentry called The Choral Music of Latin America and the Caribbean, and it is proving to be a delightful colle...

Robert H. Young, perhaps the father of the 20th century American madrigal, brings us a romantic setting of Cherry Ripe. An ancient text unfolds into Young's caring touch with sonorous sounds that care...

Robert H. Young, perhaps the father of the 20th century American madrigal, brings us a romantic setting of Cherry Ripe. An ancient text unfolds into Young's caring touch with sonorous sounds that care...

This ancient Greek prayer asking for God's mercy has been selected for the Bruce Rogers Choral Series. The music is written largely in a homophonic style with shifts in harmony functioning like buildi...

This ancient Greek prayer asking for God's mercy has been selected for the Bruce Rogers Choral Series. The music is written largely in a homophonic style with shifts in harmony functioning like buildi...

Stacey sabe cómo sacar el máximo partido a un espiritual: sus arreglos son cautivadores y frescos. Este es particularmente agradable, comienza libremente y luego se balancea de lado a lado, se calma y...

SAB Chorus a cappella (or Piano), or SA Treble Chorus with Piano, or Unison Voices with Piano This motet, sung in Latin, is accessible to a wide range of choirs, with or without accompaniment. The per...

Called a 'sequel' to the first Ubi Caritas, this new work has a clear resemblance to the original work. The reccuring melody line leads to a divisi treatment of the continued text. If you already like...

Uses: General, Thanksgiving Scripture: I Chronicles 16:8; Psalm 28:7; Colossians 3:15-17 A fresh take on a favorite praise and worship evergreen! The distinctive chord progression of this well-known c...

Uses: General, Thanksgiving Scripture: I Chronicles 16:8; Psalm 28:7; Colossians 3:15-17 A fresh take on a favorite praise and worship evergreen! The distinctive chord progression of this well-known c...

Orlando di Lasso was a Franco-Flemish composer of the late Renaissance known for his mature polyphonic style. Equally adept in many languages and both sacred and secular forms, his compositions remain...

Orlando di Lasso was a Franco-Flemish composer of the late Renaissance known for his mature polyphonic style. Equally adept in many languages and both sacred and secular forms, his compositions remain...

Orlando di Lasso was a Franco-Flemish composer of the late Renaissance known for his mature polyphonic style. Equally adept in many languages and both sacred and secular forms, his compositions remain...

A new setting of the Latin Ubi Caritas text. Sustained passages and nice homophonic writing allow for reflection of the text and exploration of tone and blend. A good teaching piece and a great additi...

The original Laudemus cum Armonia upon which this new work is based exists in two Fourteenth-century Italian manuscripts and features charming polyphonic simplicity. The composer has captured the char...

The opening section of Fauré's beloved Requiem could easily be considered a classic. Conductor and former Chanticleer singer Sanford Dole has done something miraculous and incredible - he has arranged...