Música sacra para coro mixto

Chorpartitur für 3 gemischte Stimmen

Für Soli, Chor und Orchester.

This profound six-movement a cappella choral work is already available in a recording by leading UK choir Tenebrae on the Signum label, described by Gramophone Magazine as 'impressive and moving'. Fat...

para SATB (con divisiones) sin acompañamiento

Chorpartitur - gemischter Chor (SATB)

Chorpartitur - gemischter Chor (SATB)

Chorpartitur - gemischter Chor (SATB)

O the depth is a devotional work, suitable as an introit or short anthem, which couples together a passage from the New Testament (Romans 11) and a single verse from the Old Testament (Isaiah 55) whic...

Composer’s note Tantum Ergo should have a chant-like feel especially on the repeated pitches. Keep the tempo flexible to enable effective contrast in dynamics and a sustained sound throughout. The acc...

Composer’s note O sacrum convivium was written in 2007 - it is one of my earliest choral compositions. Olivier Messiaen’s setting had a profound impact on me as a young chorister. As John Cooper, the...

Composer’s note O sacrum convivium was written in 2007 - it is one of my earliest choral compositions. Olivier Messiaen’s setting had a profound impact on me as a young chorister. As John Cooper, the...

Este pequeño himno para coro sin acompañamiento fue escrito como homenaje a Alexander Goehr en su 50 cumpleaños. Se trata de un poema de Robert Bridges que pone palabras en boca del ciego John Milton,...

Based on a traditional Alentejo carol from southern Portugal, this music of the Magnificat is gentle, soothing, and almost hypnotic. Each verse is treated differently, giving the solo voice and all th...

With music evoking fanfares and introspective feelings alike, this setting of Psalm 8 expresses praise for God and the honor of being human.

Hwayana yaMwari is composed in the spirit of choral music heard at the Episcopal Cathedral in Harare, Zimbabwe, in the summer of 1993. Shona is the majority tribe in Zimbabwe and its language. The tex...

James Biery's setting of the traditional 13th century Ave Maria text alternates between undulating motion and homophonic simplicity while hovering around a pedal-point G. Each of the two main sections...