Música sacra para orquesta

I had just grown particularly fond of the piece, although it is hardly something for the so-called audience; but I loved it ... Mendelssohn wrote about his setting of the 114th Psalm.

I had just grown particularly fond of the piece, although it is hardly something for the so-called audience; but I loved it ... Mendelssohn wrote about his setting of the 114th Psalm.

I had just grown particularly fond of the piece, although it is hardly something for the so-called audience; but I loved it ... Mendelssohn wrote about his setting of the 114th Psalm.

Urtext nach der Leipziger Mendelssohn-Gesamtausgabe [Soli,GCh,Orch] 160' Soli: SSAATTBBB - Chor: SSAATTBB - 2.2.2.2. - 4.2.3.0.Oph - Pk - Org - Str If in the jubilee year 2009 Mendelssohn's 'Elijah' i...

Urtext nach der Leipziger Mendelssohn-Gesamtausgabe [Soli,GCh,Orch] 160' Soli: SSAATTBBB - Chor: SSAATTBB - 2.2.2.2. - 4.2.3.0.Oph - Pk - Org - Str If in the anniversary year 2009 Mendelssohn's 'Elija...

Urtext nach der Leipziger Mendelssohn-Gesamtausgabe [Soli,GCh,Orch] 160' Soli: SSAATTBBB - Chor: SSAATTBB - 2.2.2.2. - 4.2.3.0.Oph - Pk - Org - Str If in the anniversary year 2009 Mendelssohn's 'Elija...

Urtext nach der Leipziger Mendelssohn-Gesamtausgabe [Soli,GCh,Orch] 160' Soli: SSAATTBBB - Chor: SSAATTBB - 2.2.2.2. - 4.2.3.0.Oph - Pk - Org - Str If in the anniversary year 2009 Mendelssohn's 'Elija...

Urtext nach der Leipziger Mendelssohn-Gesamtausgabe [Soli,GCh,Orch] 160' Soli: SSAATTBBB - Chor: SSAATTBB - 2.2.2.2. - 4.2.3.0.Oph - Pk - Org - Str If in the anniversary year 2009 Mendelssohn's 'Elija...

Urtext nach der Leipziger Mendelssohn-Gesamtausgabe [Soli,GCh,Orch] 160' Soli: SSAATTBBB - Chor: SSAATTBB - 2.2.2.2. - 4.2.3.0.Oph - Pk - Org - Str If in the anniversary year 2009 Mendelssohn's 'Elija...

Urtext nach der Leipziger Mendelssohn-Gesamtausgabe [Soli,GCh,Orch] 160' Soli: SSAATTBBB - Chor: SSAATTBB - 2.2.2.2. - 4.2.3.0.Oph - Pk - Org - Str If in the anniversary year 2009 Mendelssohn's 'Elija...

150 years of edition history had to pass before the Mass in B minor finally appeared in a musical text that, as far as possible, really goes back to Johann Sebastian Bach's 'Fassung letzter Hand'.

150 years of edition history had to pass before the Mass in B minor finally appeared in a musical text that, as far as possible, really goes back to Johann Sebastian Bach's 'Fassung letzter Hand'.

150 years of edition history had to pass before the Mass in B minor finally appeared in a musical text that, as far as possible, really goes back to Johann Sebastian Bach's 'Fassung letzter Hand'.

150 years of edition history had to pass before the Mass in B minor finally appeared in a musical text that, as far as possible, really goes back to Johann Sebastian Bach's 'Fassung letzter Hand'.

150 years of edition history had to pass before the Mass in B minor finally appeared in a musical text that, as far as possible, really goes back to Johann Sebastian Bach's 'Fassung letzter Hand'.

150 years of edition history had to pass before the Mass in B minor finally appeared in a musical text that, as far as possible, really goes back to Johann Sebastian Bach's 'Fassung letzter Hand'.

Dvorák's is one of the Czech composer's great works of church music and one of the most important Requiem settings in music history. The profound effect is based on a sequence of variations on a death...

Dvorák's is one of the Czech composer's great works of church music and one of the most important Requiem settings in music history. The profound effect is based on a sequence of variations on a death...

Dvorák's is one of the Czech composer's great works of church music and one of the most important Requiem settings in music history. The profound effect is based on a sequence of variations on a death...

Dvorák's is one of the Czech composer's great works of church music and one of the most important Requiem settings in music history. The profound effect is based on a sequence of variations on a death...

Dvorák's is one of the Czech composer's great works of church music and one of the most important Requiem settings in music history. The profound effect is based on a sequence of variations on a death...

Striving for the highest of art - with these words Franz Schubert had announced his Mass in A flat major in 1828. .

Striving for the highest of art - with these words Franz Schubert had announced his Mass in A flat major in 1828. .

Striving for the highest of art - with these words Franz Schubert had announced his Mass in A flat major in 1828. .

Striving for the highest of art - with these words Franz Schubert had announced his Mass in A flat major in 1828. .