Obras instrumentales clásicas para orquesta

Puccini's Adagetto for small orchestra (without trumpets, trombones, and timpani) was probably written in the early 1880s while the composer was still a student in Milan. A few years later he reused t...

Puccini's Adagetto for small orchestra (without trumpets, trombones, and timpani) was probably written in the early 1880s while the composer was still a student in Milan. A few years later he reused t...

Puccini's Adagetto for small orchestra (without trumpets, trombones, and timpani) was probably written in the early 1880s while the composer was still a student in Milan. A few years later he reused t...

Puccini's Adagetto for small orchestra (without trumpets, trombones, and timpani) was probably written in the early 1880s while the composer was still a student in Milan. A few years later he reused t...

Die Partitur ist nur als Teil des Aufführungsmaterials erhältlich - Kammerorch (Blfl f1, Fl, Ob, Eh, Fg, 4 Str), Cemb, Org

Die Partitur ist nur als Teil des Aufführungsmaterials erhältlich - Kammerorch (Blfl f1, Fl, Ob, Eh, Fg, 4 Str), Cemb, Org

Die Partitur ist nur als Teil des Aufführungsmaterials erhältlich - Kammerorch (Blfl f1, Fl, Ob, Eh, Fg, 4 Str), Cemb, Org

Die Partitur ist nur als Teil des Aufführungsmaterials erhältlich - Kammerorch (Blfl f1, Fl, Ob, Eh, Fg, 4 Str), Cemb, Org

Die Partitur ist nur als Teil des Aufführungsmaterials erhältlich - Kammerorch (Blfl f1, Fl, Ob, Eh, Fg, 4 Str), Cemb, Org

Kammerorchester; Stimmensatz. Format: 29,7 x 21 cm.

A variation of the traditional tune Sellinger's Round appears somewhere in each of the five movements. (A version by Byrd is also in the first). Incorporated in the music are short quotations from Gib...

Ricercar and Doubles is one of Sir Peter Maxwell Davies' earliest chamber works, crystalline and contained it inhabits both the 17th and 20th centuries in Max's inimitable style.

Ricercar and Doubles is one of Sir Peter Maxwell Davies' earliest chamber works, crystalline and contained it inhabits both the 17th and 20th centuries in Max's inimitable style.