Obras instrumentales clásicas para orquesta
French composer Florent Schmitt (1870-1958) wrote the first version of Lied et Scherzo, Op. 54 for solo horn and wind nonet in 1910. It was composed to be the horn examination piece for the Conservato...
French composer Florent Schmitt (1870-1958) wrote the first version of Lied et Scherzo, Op. 54 for solo horn and wind nonet in 1910. It was composed to be the horn examination piece for the Conservato...
- Orquesta
- Partichela de trompa
- Edwin F. Kalmus
-
disponible en 3-4 semanas
The piano trio version of La muse et le poète, Op. 132 was written by Camille Saint-Saëns (1835-1921) in 1910 during a vacation to North Africa, and that version premiered at Queen's Hall on June 7, 1...
The piano trio version of La muse et le poète, Op. 132 was written by Camille Saint-Saëns (1835-1921) in 1910 during a vacation to North Africa, and that version premiered at Queen's Hall on June 7, 1...
- Orquesta
- Partichela de violín
- Edwin F. Kalmus
-
disponible en 3-4 semanas
The piano trio version of La muse et le poète, Op. 132 was written by Camille Saint-Saëns (1835-1921) in 1910 during a vacation to North Africa, and that version premiered at Queen's Hall on June 7, 1...
The piano trio version of La muse et le poète, Op. 132 was written by Camille Saint-Saëns (1835-1921) in 1910 during a vacation to North Africa, and that version premiered at Queen's Hall on June 7, 1...
- Orquesta
- Partichela de violonchelo
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...
Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...
- Orquesta
- Partitura general
- Antonín Cubr Otakar Sourek
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...
Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...
- Orquesta
- Partichela de coro (soprano)
- Antonín Cubr Otakar Sourek
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...
Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...
- Orquesta
- Partichela de viola
- Antonín Cubr Otakar Sourek
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...
Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...
- Orquesta
- Partichela de coro (tenor)
- Antonín Cubr Otakar Sourek
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...
Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...
- Orquesta
- Partichela de bajo
- Antonín Cubr Otakar Sourek
- Edwin F. Kalmus
-
disponible en 3-4 semanas
The Symphony No. 8 in G major, Op. 88, B. 163 by Antonín Dvorák (1841-1904) was composed in 1889 at Vysoká u Príbrame, Bohemia, on the occasion of his election to the Bohemian Academy of Science, Lite...
The Symphony No. 8 in G major, Op. 88, B. 163 by Antonín Dvorák (1841-1904) was composed in 1889 at Vysoká u Príbrame, Bohemia, on the occasion of his election to the Bohemian Academy of Science, Lite...
- Orquesta
- Partitura general y partichelas
- František Bartoš Otakar Sourek
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Between 1832 and 1833, Felix Mendelssohn (1809-1847) composed two works for a trio of clarinet, piano and basset horn: Concert Piece No. 1 in F Major, Op. 113 and Concert Piece No. 2 in D minor, Op. 1...
Between 1832 and 1833, Felix Mendelssohn (1809-1847) composed two works for a trio of clarinet, piano and basset horn: Concert Piece No. 1 in F Major, Op. 113 and Concert Piece No. 2 in D minor, Op. 1...
- Orquesta
- Partitura general
- Graham Sheen
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Between 1832 and 1833, Felix Mendelssohn (1809-1847) composed two works for a trio of clarinet, piano and basset horn: Concert Piece No. 1 in F Major, Op. 113 and Concert Piece No. 2 in D minor, Op. 1...
Between 1832 and 1833, Felix Mendelssohn (1809-1847) composed two works for a trio of clarinet, piano and basset horn: Concert Piece No. 1 in F Major, Op. 113 and Concert Piece No. 2 in D minor, Op. 1...
- Orquesta
- Partitura general y partichelas
- Graham Sheen
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Between 1832 and 1833, Felix Mendelssohn (1809-1847) composed two works for a trio of clarinet, piano and basset horn: Concert Piece No. 1 in F Major, Op. 113 and Concert Piece No. 2 in D minor, Op. 1...
Between 1832 and 1833, Felix Mendelssohn (1809-1847) composed two works for a trio of clarinet, piano and basset horn: Concert Piece No. 1 in F Major, Op. 113 and Concert Piece No. 2 in D minor, Op. 1...
- Orquesta
- Partichela
- Graham Sheen
- Edwin F. Kalmus
-
disponible en 3-4 semanas
It is widely believed that Wolfgang Amadeus Mozart (1756-1791) wrote the Adagio in E major, K. 261 in or around 1776 as a replacement for the second movement of his Violin Concerto No. 5 in A, K. 219....
It is widely believed that Wolfgang Amadeus Mozart (1756-1791) wrote the Adagio in E major, K. 261 in or around 1776 as a replacement for the second movement of his Violin Concerto No. 5 in A, K. 219....
- Orquesta
- Partichela de violín
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Antonín Dvorák (1841-1904) compuso LA CANCIÓN DEL HÉROE (PÍSEN BOHATÝRSKÁ), Op. 111/B. 199, en 1897, convirtiéndola en su último poema sinfónico y una de sus últimas obras orquestales importantes. A d...
Antonín Dvorák (1841-1904) compuso LA CANCIÓN DEL HÉROE (PÍSEN BOHATÝRSKÁ), Op. 111/B. 199, en 1897, convirtiéndola en su último poema sinfónico y una de sus últimas obras orquestales importantes. A d...
- Orquesta
- Partitura general y partichelas
- Otakar Sourek
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Between 1832 and 1833, Felix Mendelssohn (1809-1847) composed two works for a trio of clarinet, piano and basset horn: Concert Piece No. 1 in F Major, Op. 113 and Concert Piece No. 2 in D minor, Op. 1...
Between 1832 and 1833, Felix Mendelssohn (1809-1847) composed two works for a trio of clarinet, piano and basset horn: Concert Piece No. 1 in F Major, Op. 113 and Concert Piece No. 2 in D minor, Op. 1...
- Orquesta
- Partitura general
- Graham Sheen
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Between 1832 and 1833, Felix Mendelssohn (1809-1847) composed two works for a trio of clarinet, piano and basset horn: Concert Piece No. 1 in F Major, Op. 113 and Concert Piece No. 2 in D minor, Op. 1...
Between 1832 and 1833, Felix Mendelssohn (1809-1847) composed two works for a trio of clarinet, piano and basset horn: Concert Piece No. 1 in F Major, Op. 113 and Concert Piece No. 2 in D minor, Op. 1...
- Orquesta
- Partitura general y partichelas
- Graham Sheen
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Between 1832 and 1833, Felix Mendelssohn (1809-1847) composed two works for a trio of clarinet, piano and basset horn: Concert Piece No. 1 in F Major, Op. 113 and Concert Piece No. 2 in D minor, Op. 1...
Between 1832 and 1833, Felix Mendelssohn (1809-1847) composed two works for a trio of clarinet, piano and basset horn: Concert Piece No. 1 in F Major, Op. 113 and Concert Piece No. 2 in D minor, Op. 1...
- Orquesta
- Partichela
- Graham Sheen
- Edwin F. Kalmus
-
disponible en 3-4 semanas
At the precocious age of fourteen, Felix Mendelssohn (1809-1847) scribbled out his Concerto for Two Pianos and Orchestra in E major. He wrote a second, this time longer, double piano concerto the foll...
At the precocious age of fourteen, Felix Mendelssohn (1809-1847) scribbled out his Concerto for Two Pianos and Orchestra in E major. He wrote a second, this time longer, double piano concerto the foll...
- Orquesta
- Partichela de piano
- Karl-Heinz Köhler
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Robert Schumann (1810-1856) wrote the original version of his Symphony No. 4 in D minor, Op. 120, in 1841. Significant revisions were made by Schumann in 1851, and it is this version that was publishe...
Robert Schumann (1810-1856) wrote the original version of his Symphony No. 4 in D minor, Op. 120, in 1841. Significant revisions were made by Schumann in 1851, and it is this version that was publishe...
- Orquesta
- Partitura general
- Johannes Brahms
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Robert Schumann (1810-1856) wrote the original version of his Symphony No. 4 in D minor, Op. 120, in 1841. Significant revisions were made by Schumann in 1851, and it is this version that was publishe...
Robert Schumann (1810-1856) wrote the original version of his Symphony No. 4 in D minor, Op. 120, in 1841. Significant revisions were made by Schumann in 1851, and it is this version that was publishe...
- Orquesta
- Partitura general y partichelas
- Johannes Brahms
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Compilada y arreglada por el director y compositor de origen húngaro Antal Dorati (1906-1988), LA VIE PARISIENNE: OVERTURE ON THEMES BY OFFENBACH se encuentra entre las obras ligeras más deliciosament...
Compilada y arreglada por el director y compositor de origen húngaro Antal Dorati (1906-1988), LA VIE PARISIENNE: OVERTURE ON THEMES BY OFFENBACH se encuentra entre las obras ligeras más deliciosament...
- Orquesta
- Partitura general
- Antal Dorati
- Edwin F. Kalmus
-
disponible en 3-4 semanas
In 1901, American saxophonist Elise Hall commissioned works from numerous composers for her instrument, and among those composers was Claude Debussy (1862-1918). While Debussy took the money at the ti...
In 1901, American saxophonist Elise Hall commissioned works from numerous composers for her instrument, and among those composers was Claude Debussy (1862-1918). While Debussy took the money at the ti...
- Orquesta
- Partitura general
- C Nieweg
- Edwin F. Kalmus
-
disponible en 3-4 semanas
In 1901, American saxophonist Elise Hall commissioned works from numerous composers for her instrument, and among those composers was Claude Debussy (1862-1918). While Debussy took the money at the ti...
In 1901, American saxophonist Elise Hall commissioned works from numerous composers for her instrument, and among those composers was Claude Debussy (1862-1918). While Debussy took the money at the ti...
- Orquesta
- Partitura general y partichelas
- C Nieweg
- Edwin F. Kalmus
-
disponible en 3-4 semanas
In 1901, American saxophonist Elise Hall commissioned works from numerous composers for her instrument, and among those composers was Claude Debussy (1862-1918). While Debussy took the money at the ti...
In 1901, American saxophonist Elise Hall commissioned works from numerous composers for her instrument, and among those composers was Claude Debussy (1862-1918). While Debussy took the money at the ti...
- Orquesta
- Partichela de saxofón
- C Nieweg
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Sergei Rachmaninoff's (1873-1943) "Vocalise" was originally written in 1912 (revised in 1915) as the final movement in his 14 ROMANCES, Op. 34, for high voice with piano accompaniment. The work has be...
Sergei Rachmaninoff's (1873-1943) "Vocalise" was originally written in 1912 (revised in 1915) as the final movement in his 14 ROMANCES, Op. 34, for high voice with piano accompaniment. The work has be...
- Orquesta
- Partichela de violín
- Clinton F. Nieweg
- Edwin F. Kalmus
-
disponible en 3-4 semanas