Obras instrumentales clásicas para orquesta

The first set of Slavonic Dances, edited by Dvorak expert Klaus Döge, constituted a small series of works in 1996, which continued to grow in the following years.

The first set of Slavonic Dances, edited by Dvorak expert Klaus Döge, constituted a small series of works in 1996, which continued to grow in the following years.

The first set of Slavonic Dances, edited by Dvorak expert Klaus Döge, constituted a small series of works in 1996, which continued to grow in the following years.

Kindred spirits Already as a law student, Schumann had occupied himself with Byron's 'Manfred' material, which fascinated him ever since. In the inner conflict of the romantic hero, Schumann possibly...

Kindred spirits Already as a law student, Schumann had occupied himself with Byron's 'Manfred' material, which fascinated him ever since. In the inner conflict of the romantic hero, Schumann possibly...

Kindred spirits Already as a law student, Schumann had occupied himself with Byron's 'Manfred' material, which fascinated him ever since. In the inner conflict of the romantic hero, Schumann possibly...

Kindred spirits Already as a law student, Schumann had occupied himself with Byron's 'Manfred' material, which fascinated him ever since. In the inner conflict of the romantic hero, Schumann possibly...

Kindred spirits Already as a law student, Schumann had occupied himself with Byron's 'Manfred' material, which fascinated him ever since. In the inner conflict of the romantic hero, Schumann possibly...

Kindred spirits Already as a law student, Schumann had occupied himself with Byron's 'Manfred' material, which fascinated him ever since. In the inner conflict of the romantic hero, Schumann possibly...

Oh, the tempi! A terrible thing!, Dvorák repeatedly complained. Not without reason, as the renowned Dvorák expert Klaus Döge found in the edition of the '8th'.

Oh, the tempi! A terrible thing!, Dvorák repeatedly complained. Not without reason, as the renowned Dvorák expert Klaus Döge found in the edition of the '8th'.

Oh, the tempi! A terrible thing!, Dvorák repeatedly complained. Not without reason, as the renowned Dvorák expert Klaus Döge found in the edition of the '8th'.

Oh, the tempi! A terrible thing!, Dvorák repeatedly complained. Not without reason, as the renowned Dvorák expert Klaus Döge found in the edition of the '8th'.

Oh, the tempi! A terrible thing!, Dvorák repeatedly complained. Not without reason, as the renowned Dvorák expert Klaus Döge found in the edition of the '8th'.

Oh, the tempi! A terrible thing!, Dvorák repeatedly complained. Not without reason, as the renowned Dvorák expert Klaus Döge found in the edition of the '8th'.

Urtext despite carelessly notated autograph Mozart's late Symphony in E-flat major was composed in 1788, presumably for academy concerts that did not materialize. The new edition is based on the only...

Urtext despite carelessly notated autograph Mozart's late Symphony in E-flat major was composed in 1788, presumably for academy concerts that did not materialize. The new edition is based on the only...

Urtext despite carelessly notated autograph Mozart's late Symphony in E-flat major was composed in 1788, presumably for academy concerts that did not materialize. The new edition is based on the only...

Urtext despite carelessly notated autograph Mozart's late Symphony in E-flat major was composed in 1788, presumably for academy concerts that did not materialize. The new edition is based on the only...

Urtext despite carelessly notated autograph Mozart's late Symphony in E-flat major was composed in 1788, presumably for academy concerts that did not materialize. The new edition is based on the only...

Urtext despite carelessly notated autograph Mozart's late Symphony in E-flat major was composed in 1788, presumably for academy concerts that did not materialize. The new edition is based on the only...

La nueva edición Urtext de Jean-François Monnard se basa por primera vez en una comparación erudita de las fuentes. Se basa en el primer borrador de la partitura de Ravel y en su partitura manuscrita...

La nueva edición Urtext de Jean-François Monnard se basa por primera vez en una comparación erudita de las fuentes. Se basa en el primer borrador de la partitura de Ravel y en su partitura manuscrita...

La nueva edición Urtext de Jean-François Monnard se basa por primera vez en una comparación erudita de las fuentes. Se basa en el primer borrador de la partitura de Ravel y en su partitura manuscrita...

La nueva edición Urtext de Jean-François Monnard se basa por primera vez en una comparación erudita de las fuentes. Se basa en el primer borrador de la partitura de Ravel y en su partitura manuscrita...