Oliver Waespi: Partituras medio

Friendly Takeover' was composed for the 2016 Swiss Wind Band Convention in Montreux. In this three movement piece the composer experiments with lyrical motives combined with rhythmical pulses in diffe...

Friendly Takeover' was composed for the 2016 Swiss Wind Band Convention in Montreux. In this three movement piece the composer experiments with lyrical motives combined with rhythmical pulses in diffe...

Friendly Takeover' was composed for the 2016 Swiss Wind Band Convention in Montreux. In this three movement piece the composer experiments with lyrical motives combined with rhythmical pulses in diffe...

The composer has based this festive fanfare arrangement on the grand 'Festive Impressions' and it is extremely suited as an opening number for your concert or for all kinds of festivities.

Theme and Variations is another brilliant test piece from the pen of Oliver Waespi, one of the most popular brass band composers of today. It is a challenging but rewarding piece which offers plenty o...

Theme and Variations is another brilliant test piece from the pen of Oliver Waespi, one of the most popular brass band composers of today. It is a challenging but rewarding piece which offers plenty o...

Friendly Takeover was composed for the 2016 Swiss Wind Band Convention in Montreux. In this three movement piece the composer experiments with lyrical motives combined with rhythmical pulses in differ...

Großformat (A4 hoch)

Großformat (A4 hoch)

Friendly Takeover was composed for the 2016 Swiss Wind Band Convention in Montreux. In this three movement piece the composer experiments with lyrical motives combined with rhythmical pulses in differ...

Friendly Takeover was composed for the 2016 Swiss Wind Band Convention in Montreux. In this three movement piece the composer experiments with lyrical motives combined with rhythmical pulses in differ...

2nd Sinfonietta was composed in 2005 for the Musikgesellschaft Cham and is made up of three parts, each flowing into the next. The themes presented in the first movement migrate through the work and r...

This brilliant opening work with the sub-heading 'Cinematographic Overture' is guaranteed to make a great impression on your audience. The piece starts with solemn brass-band motifs, followed by melod...

This brilliant opening work with the sub-heading 'Cinematographic Overture' is guaranteed to make a great impression on your audience. The piece starts with solemn brass-band motifs, followed by melod...

This work by Swiss composer Oliver Waespi was one of the highlights at the 2006 Eidgenössische Musikfest in Lucerne. The piece opens with a festive fanfare featuring the brass section. The mood change...

This brilliant opening work with the sub-heading Cinematographic Overture is guaranteed to make a great impression on your audience. The piece starts with solemn brass-band motifs, followed by melodic...

This brilliant opening work with the sub-heading 'Cinematographic Overture' is guaranteed to make a great impression on your audience. The piece starts with solemn brass-band motifs, followed by melod...

The composer has based this festive fanfare arrangement on the grand 'Festive Impressions' and it is extremely suited as an opening number for your concert or for all kinds of festivities.

Scottish Folksong' was originally called 'Ye banks and braes' and is a serene, melancholy song. It comes from a longer work by Oliver Waespi, called 'Caledonia' and can also be played separately from...

The composer has based this festive fanfare arrangement on the grand 'Festive Impressions' and it is extremely suited as an opening number for your concert or for all kinds of festivities.

The composer has based this festive fanfare arrangement on the grand 'Festive Impressions' and it is extremely suited as an opening number for your concert or for all kinds of festivities.

Scottish Folksong' was originally called 'Ye banks and braes' and is a serene, melancholy song. It comes from a longer work by Oliver Waespi, called 'Caledonia' and can also be played separately from...