Orquesta sinfónica con coro
The MASS IN C, K. 220/196b, often referred to by the nickname "Spatzenmesse" or "Sparrow Mass" due to the violin figure in the Hosanna of the Sanctus that recalls the chirping of birds, is Mozart's 9t...
The MASS IN C, K. 220/196b, often referred to by the nickname "Spatzenmesse" or "Sparrow Mass" due to the violin figure in the Hosanna of the Sanctus that recalls the chirping of birds, is Mozart's 9t...
- Solistas, coro y orquesta
- Partitura general y partichelas
- Edwin F. Kalmus
-
disponible en 3-4 semanas
The MASS IN C, K. 220/196b, often referred to by the nickname "Spatzenmesse" or "Sparrow Mass" due to the violin figure in the Hosanna of the Sanctus that recalls the chirping of birds, is Mozart's 9t...
The MASS IN C, K. 220/196b, often referred to by the nickname "Spatzenmesse" or "Sparrow Mass" due to the violin figure in the Hosanna of the Sanctus that recalls the chirping of birds, is Mozart's 9t...
- Solistas, coro y orquesta
- Partitura general y partichelas
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Regina Caeli in C Major, K. 276 by Wolfgang Amadeus Mozart (1756-1791) was written ca. 1779 during the composer's time at the Salzburg Cathedral. The third of three settings of the Marian antiphon Reg...
Regina Caeli in C Major, K. 276 by Wolfgang Amadeus Mozart (1756-1791) was written ca. 1779 during the composer's time at the Salzburg Cathedral. The third of three settings of the Marian antiphon Reg...
- Solistas, coro mixto (SATB) y orquesta
- Partitura general
- Edwin F. Kalmus
-
disponible en 3-4 semanas
- Solistas, coro mixto (SATB) y orquesta
- Partitura general y partichelas
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Wolfgang Amadeus Mozart (1756-1791) completed his Mass No. 15 in C, K. 317 on March 23, 1779 after a period of seeking for employment in places such as Paris and Mannheim. Failing that, Mozart's fathe...
Wolfgang Amadeus Mozart (1756-1791) completed his Mass No. 15 in C, K. 317 on March 23, 1779 after a period of seeking for employment in places such as Paris and Mannheim. Failing that, Mozart's fathe...
- Solistas, coro y orquesta
- Partitura general y partichelas
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Wolfgang Amadeus Mozart (1756-1791) began composition of his Great Mass in C minor, K. 427/417a in 1782 as a promise to himself to write a major work for his native Salzburg. This period was shortly a...
Wolfgang Amadeus Mozart (1756-1791) began composition of his Great Mass in C minor, K. 427/417a in 1782 as a promise to himself to write a major work for his native Salzburg. This period was shortly a...
- Solistas, coro y orquesta
- Partitura general
- Alois Schmitt
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Wolfgang Amadeus Mozart (1756-1791) began composition of his Great Mass in C minor, K. 427/417a in 1782 as a promise to himself to write a major work for his native Salzburg. This period was shortly a...
Wolfgang Amadeus Mozart (1756-1791) began composition of his Great Mass in C minor, K. 427/417a in 1782 as a promise to himself to write a major work for his native Salzburg. This period was shortly a...
- Solistas, coro y orquesta
- Partitura general y partichelas
- Alois Schmitt
- Edwin F. Kalmus
-
disponible en 3-4 semanas
This wonderful, short choral masterpiece has a confusing heritage. Spuriously attributed in 1910 to Giovanni Battista Pergolesi (1710-1736), the six-movement MAGNIFICAT was actually composed by...
This wonderful, short choral masterpiece has a confusing heritage. Spuriously attributed in 1910 to Giovanni Battista Pergolesi (1710-1736), the six-movement MAGNIFICAT was actually composed by...
- Solistas, coro y orquesta
- Partitura general
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Esta maravillosa y breve obra maestra coral tiene una herencia confusa. Atribuida falsamente en 1910 a Giovanni Battista Pergolesi (1710-1736), el MAGNIFICAT, de seis movimientos, fue compuesto en rea...
Esta maravillosa y breve obra maestra coral tiene una herencia confusa. Atribuida falsamente en 1910 a Giovanni Battista Pergolesi (1710-1736), el MAGNIFICAT, de seis movimientos, fue compuesto en rea...
- Coro mixto, solistas, órgano y orquesta
- Partitura general
- Clayton Westermann
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Finished in 1848 and premiered in 1950 in Weimar, Germany, Richard Wagner's (1813-1883) LOHENGRIN tells a story of a tragic medieval German romance in the Knight of the Swan tradition. Elsa, a princes...
Finished in 1848 and premiered in 1950 in Weimar, Germany, Richard Wagner's (1813-1883) LOHENGRIN tells a story of a tragic medieval German romance in the Knight of the Swan tradition. Elsa, a princes...
- Coro y orquesta
- Partitura general
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Italian composer Pietro Mascagni (1863-1945) wrote L'amico Fritz in 1891 only one year after his masterpiece Cavalleria rusticana began the Versimo movement. A charming light opera in three acts, L'am...
Italian composer Pietro Mascagni (1863-1945) wrote L'amico Fritz in 1891 only one year after his masterpiece Cavalleria rusticana began the Versimo movement. A charming light opera in three acts, L'am...
- Solistas, coro y orquesta
- Partitura general
- Edwin F. Kalmus
-
disponible en 3-4 semanas
While Felix Mendelssohn (1809-1847) modestly refers to Hear My Prayer (Hör' mein Bitten) in G Major, WoO 15, as "a trifle," it is among his most popular works for chorus. On the autograph score, he in...
While Felix Mendelssohn (1809-1847) modestly refers to Hear My Prayer (Hör' mein Bitten) in G Major, WoO 15, as "a trifle," it is among his most popular works for chorus. On the autograph score, he in...
- Voz (aguda), coro y orquesta
- Partitura general
- Edwin F. Kalmus
-
disponible en 3-4 semanas
While Felix Mendelssohn (1809-1847) modestly refers to Hear My Prayer (Hör' mein Bitten) in G Major, WoO 15, as "a trifle," it is among his most popular works for chorus. On the autograph score, he in...
While Felix Mendelssohn (1809-1847) modestly refers to Hear My Prayer (Hör' mein Bitten) in G Major, WoO 15, as "a trifle," it is among his most popular works for chorus. On the autograph score, he in...
- Voz (aguda), coro y orquesta
- Partitura general y partichelas
- Edwin F. Kalmus
-
disponible en 3-4 semanas
While Felix Mendelssohn (1809-1847) modestly refers to Hear My Prayer (Hör' mein Bitten) in G Major, WoO 15, as "a trifle," it is among his most popular works for chorus. On the autograph score, he in...
While Felix Mendelssohn (1809-1847) modestly refers to Hear My Prayer (Hör' mein Bitten) in G Major, WoO 15, as "a trifle," it is among his most popular works for chorus. On the autograph score, he in...
- Voz (aguda), coro y orquesta
- Partitura general
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Composed by Vincenzo Bellini (1801-1835) in 1830, the two-act opera I Capuletti e i Montecchi (The Capulets and the Mantagues) stands as one of only two successful opera adaptations of Shakespeare's R...
Composed by Vincenzo Bellini (1801-1835) in 1830, the two-act opera I Capuletti e i Montecchi (The Capulets and the Mantagues) stands as one of only two successful opera adaptations of Shakespeare's R...
- Voz (aguda), coro y orquesta
- Partitura general y partichelas
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Premiering on May 22, 1813, at the Teatro San Benedetto in Venice, L'italiana in Algeri (The Italian Girl in Algiers) by Gioachino Rossini (1792-1868) was a success, with subsequent performances in Vi...
Premiering on May 22, 1813, at the Teatro San Benedetto in Venice, L'italiana in Algeri (The Italian Girl in Algiers) by Gioachino Rossini (1792-1868) was a success, with subsequent performances in Vi...
- Voz (media), coro y orquesta
- Partitura general
- Edwin F. Kalmus
-
disponible en 3-4 semanas
The first performance of I Vespri Siciliani (The Sicilian Vespers), a five-act opera by Guiseppe Verdi (1813-1901), took place at the Paris Opera on June 13, 1855, under the direction of Narcisse Gira...
The first performance of I Vespri Siciliani (The Sicilian Vespers), a five-act opera by Guiseppe Verdi (1813-1901), took place at the Paris Opera on June 13, 1855, under the direction of Narcisse Gira...
- Voz (aguda), coro y orquesta
- Partitura general
- Eugène Scribe
- Edwin F. Kalmus
-
disponible en 3-4 semanas
The first performance of I Vespri Siciliani (The Sicilian Vespers), a five-act opera by Guiseppe Verdi (1813-1901), took place at the Paris Opera on June 13, 1855, under the direction of Narcisse Gira...
The first performance of I Vespri Siciliani (The Sicilian Vespers), a five-act opera by Guiseppe Verdi (1813-1901), took place at the Paris Opera on June 13, 1855, under the direction of Narcisse Gira...
- Voz (aguda), coro y orquesta
- Partitura general y partichelas
- Eugène Scribe
- Edwin F. Kalmus
-
disponible en 3-4 semanas
While librettist W.S. Gilbert (1836-1911) and composer Arthur Sullivan (1842-1900) had worked previously in 1871-72 to write Thespis, a work for the Christmas season, the 1875 one-act comic opera Tria...
While librettist W.S. Gilbert (1836-1911) and composer Arthur Sullivan (1842-1900) had worked previously in 1871-72 to write Thespis, a work for the Christmas season, the 1875 one-act comic opera Tria...
- Solistas, coro y orquesta
- Partitura general
- Edwin F. Kalmus
-
disponible en 3-4 semanas
While librettist W.S. Gilbert (1836-1911) and composer Arthur Sullivan (1842-1900) had worked previously in 1871-72 to write Thespis, a work for the Christmas season, the 1875 one-act comic opera Tria...
While librettist W.S. Gilbert (1836-1911) and composer Arthur Sullivan (1842-1900) had worked previously in 1871-72 to write Thespis, a work for the Christmas season, the 1875 one-act comic opera Tria...
- Solistas, coro y orquesta
- Partitura general y partichelas
- Edwin F. Kalmus
-
disponible en 3-4 semanas
La obra más larga de Ravel, con casi una hora de duración, el ballet completo en un acto Dafnis y Cloe, fue descrita por el compositor como una "symphonie choregraphique" (sinfonía coreográf...
La obra más larga de Ravel, con casi una hora de duración, el ballet completo en un acto Dafnis y Cloe, fue descrita por el compositor como una "symphonie choregraphique" (sinfonía coreográf...
- Coro y orquesta
- Partitura general
- Edwin F. Kalmus
-
disponible en 3-4 semanas
La obra más larga de Ravel, con casi una hora de duración, el ballet completo en un acto Dafnis y Cloe, fue descrita por el compositor como una "symphonie choregraphique" (sinfonía coreográf...
La obra más larga de Ravel, con casi una hora de duración, el ballet completo en un acto Dafnis y Cloe, fue descrita por el compositor como una "symphonie choregraphique" (sinfonía coreográf...
- Coro y orquesta
- Partitura general y partichelas
- Edwin F. Kalmus
-
disponible en 3-4 semanas
La obra más larga de Ravel, con casi una hora de duración, el ballet completo en un acto Dafnis y Cloe, fue descrita por el compositor como una "symphonie choregraphique" (sinfonía coreográf...
La obra más larga de Ravel, con casi una hora de duración, el ballet completo en un acto Dafnis y Cloe, fue descrita por el compositor como una "symphonie choregraphique" (sinfonía coreográf...
- Coro y orquesta
- Partitura general de coro
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Ralph Vaughan Williams (1872-1958) set four poems from George Herbert's (1593-1633) collection The Temple: Sacred Poems in 1911 to music for solo baritone in a work titled Five Mystical Songs. The sol...
Ralph Vaughan Williams (1872-1958) set four poems from George Herbert's (1593-1633) collection The Temple: Sacred Poems in 1911 to music for solo baritone in a work titled Five Mystical Songs. The sol...
- Voz (media), coro y orquesta
- Partitura general
- George Herbert
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Ralph Vaughan Williams (1872-1958) set four poems from George Herbert's (1593-1633) collection The Temple: Sacred Poems in 1911 to music for solo baritone in a work titled Five Mystical Songs. The sol...
Ralph Vaughan Williams (1872-1958) set four poems from George Herbert's (1593-1633) collection The Temple: Sacred Poems in 1911 to music for solo baritone in a work titled Five Mystical Songs. The sol...
- Voz (media), coro y orquesta
- Partitura general y partichelas
- George Herbert
- Edwin F. Kalmus
-
disponible en 3-4 semanas
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