Orquesta sinfónica con solo instrumental

Georg Abraham Schneider (1770-1839) erhielt eine Ausbildung auf fast allen Instrumenten bei J. W. Mangold, Geiger an der Hofkapelle Darmstadt und Stadtmusikus. Siebzehnjährig wurde Schneider als Hautb...

1. Allegro 2. Adagio 3. Rondo. Allegretto Das lange verschollen geglaubte Konzert in B-Dur ist eine wundervolle Bereicherung des klassischen Repertoires. Wie sein kleiner Bruder, das Konzert in F-D...

Our edition is the first to attempt to reconcile both the demands of a faithful and meaningful printing of the work and those of the performing musicians.

The nostalgic, serene and elegiac Concerto is perfectly suited to the expressive possibilities of the instrument. It now belongs to the repertoire.

In collaboration with the famous bassoonist Franz Czerwenka, Rosetti became acquainted with the virtuoso writing for the bassoon, which finds its impressive expression in the present concerto.

For the concert repertoire of all oboists a grateful perfectly worked piece, whose lansamer movement (romance) captivates with simplicity and intimacy.

Conceived with a 'masterly trained hand and good taste', the work, influenced in style by operatic facture, is pure instrumental balcanto.

The Oboe Concerto, which appears here for the first time, is in three movements. An extended opening movement in sonata form is followed by a wonderfully atmospheric Adagio in multi-part song form.