Orquesta sinfónica: obras para violín solista

Comparado con Niccolò Paganini por su amigo Robert Schumann, Henri Vieuxtemps (1820-1881) fue un conocido violinista virtuoso de la escuela franco-belga de mediados del siglo XIX. Aspirando a converti...

Probablemente compuesto en los primeros meses de 1877, el VALSE SCHERZO, OP. 34, ocupa un lugar importante en la obra de Peter Ilyitch Tchaikovsky (1840-1893), ya que le preparó para empezar a trabaja...

The ROMANCE in F minor, Op. 11 (B. 39) was composed by Antonín Dvorák (1841-1904) in 1877, reworked from the Andantino movement of his 1873 STRING QUARTET NO. 5 in F minor, a work written before he wa...

El Concierto para violín en si menor, op. 61, de Edward Elgar (1857-1934), una de sus obras más largas y la última en alcanzar una popularidad inmediata, siempre ha figurado en los programas de concie...

Sergei Rachmaninoff's (1873-1943) "Vocalise" was originally written in 1912 (revised in 1915) as the final movement in his 14 ROMANCES, Op. 34, for high voice with piano accompaniment. The work has be...

Sergei Rachmaninoff's (1873-1943) "Vocalise" was originally written in 1912 (revised in 1915) as the final movement in his 14 ROMANCES, Op. 34, for high voice with piano accompaniment. The work has be...

Tzigane es una composición rapsódica del compositor francés Maurice Ravel. Fue encargada y dedicada a la violinista húngara Jelly d'Arányi, sobrina nieta del influyente virtuoso del violín Joseph Joac...

Sergei Prokofjew (1891-1953) began his Violin Concerto No. 1 in D major, Op. 19, as a concertino in 1915 but soon abandoned it to work on his opera, The Gambler. He returned to the concerto in the sum...

Sergei Prokofiev (1891-1953) comenzó su Concierto para violín nº 1 en re mayor, Op. 19, como un concertino en 1915, pero pronto lo abandonó para trabajar en su ópera El jugador. Retomó el concierto en...

Devotion (Ab imo pectore) is the second half of Jean Sibelius' (1865-1957) Two Pieces for Violin or Cello and Orchestra, Op. 77. Completed in 1915, the first performance was held in Helsinki on March...

Devotion (Ab imo pectore) is the second half of Jean Sibelius' (1865-1957) Two Pieces for Violin or Cello and Orchestra, Op. 77. Completed in 1915, the first performance was held in Helsinki on March...

Johann Michael HAYDN ist Anfang September 1737 in Rohrau, Niederösterreich geboren. Von 1745 an war er Chorknabe am St. Stefansdom in Wien. 1757 empfahl man ihn Bischof Pál Forgách, der ihn zum Kapell...

Von Franz Krommer sind bis heute 9 Violinkonzerte bekannt, die - ausser dem aus der frühesten Schaffensperiode stammende Konzert in F-Dur' - alle nach 1800 entstanden sind. Ausser diesem als erstes We...

The Variations on a Theme from Bellini's 'Norma' were written by Vieuxtemps as a youth for his 1834 concert tour. They offer a thrilling concert piece and can be used in the training of young violinis...

Vieuxtemps became acquainted with the Rákóczi March in 1843 during a concert tour to Pest and wrote his own version of it there, which he immediately premiered with great success. The concerts in Pest...

La Tarantela op. 22, nº 5 del virtuoso violinista y compositor belga Henri Vieuxtemps pertenece a las obras estándar de la literatura violinística. Aparece con frecuencia en los programas de concursos...

Orchestral material according to the new Beethoven Complete Edition by G. Henle Verlag. All conducting scores and orchestral parts, as well as the piano reductions and choral scores for the choral wor...

Orchestral material according to the new Beethoven Complete Edition by G. Henle Verlag. All conducting scores and orchestral parts, as well as the piano reductions and choral scores for the choral wor...

Many well-known violinists such as the dedicatee Pablo de Sarasate, together later with Eugène Ysaye and Jacques Thibaud, included in their repertoires Camille Saint-Saëns' concert piece composed in 1...

Johannes Brahms's only violin concerto, one of the most important violin concertos of the 19th century, is now a central repertoire piece. This fact is all the more notable, as, by his own account, Br...

Well-founded re-evaluated Can there still be new readings compared to traditional editions? This is the question that editor Clive Brown has addressed, meticulously scrutinizing the often contradictor...

Cliff Eisen is responsible for a secure original text based on the autograph and knowledge of historical performance practice. Andrew Manze completes the edition with his instrumentally appropriate an...