Partituras de música clásica

Drawing primarily from the soundscape of a gently sweeping Mixolydian mode, this piece is designed to remind the listener of the distant past and its connection to our present. This SAB setting offers...

Three short choral settings of peoms by George Herbert, commissioned by The Spitalfields Festival in memory of Peter Lerwill, a generous supporter of the festival. The first performance of the set too...

A one-act work for Dallas Opera based on the tragic climbing disaster on Mount Everest in 1996.

James Whitbourn's Set Me As A Seal Upon Thine Heart for SATB and Organ.

A setting of the Marian hymn for mixed voices and organ, commissioned for Malcolm Munro and the Choir of St Mary the Virgin, Dover. The first performance was in 1 December 2019.

The Big Picture was written to celebrate the completion of a major redevelopment and refurbishment to Aberdeen Art Gallery. Wishing to examine a subject important, in different ways, to both the visua...

An arrangement of the final chorus from Bell's 2019 opera 'Stonewall' for solo SATB voices. 'Much to be Done' was originally commissioned by the Pink Singers and commissioned in this arrangement Mark...

Ein Tonbeispiel finden Sie unten in einem Live-Mitschnitt der ev. Jugendkantorei der Pfalz, Dir.: Jochen Steuerwald.

With a text written by the composer, Han Lash’s Canticum Psalmi Falsum, is a spirited work that is both ridiculous and musically powerful. Han Lash is a modern master of choral counterpoint and Lash’s...

Chorpartitur - CHP D/E

gemischter Chor (SATB) mit Solo (T) und Orchester

Klavierauszug = Klavierstimme

Mixed choir (SATB) and piano (German/English). Piano reduction (at the same time score).

Orchestration: Mixed voice choir (SATB) String orchestra: Violin 1, Violin 2, Viola, Violoncello, Double Bass A very moving new setting of the Beatitudes. May also be performed accompanied only by org...

A new setting by Philip Henderson for mixed voice choir (SATB with divisi) and piano of words by Edward Thomas (1878-1917). Taken from 'The Edward Thomas Quartet', four settings comprising 'Adlestrop'...

A beautiful setting for unaccompanied SATB choir of William Blake's famous text. This is the second setting of these words by Paul Carr. The earlier version (from 1985) also for unaccompanied mixed vo...

This is an arrangement for mixed voice choir (SATB) and piano of one of the movements from Paul Carr's 'Requiem for an Angel'. The words are by Jack Larson (1928-2015) 'Do I love you more than a day?...

These pieces are evocations of 16th and 17th century dance forms by a composer long fascinated by the period. The melodies are new and no genuine anticke (old English for antique) tunes are used. MONS...

Probably the best-known song from The Merry Widow arranged for choir and piano by Peter Lawson. The Merry Widow is an operetta by the Austro-Hungarian composer Franz Lehar with libretto by Viktor Leon...