Partituras de música clásica

Hohe Stimme, Melodie-Instrument, Basso continuo - Partitur; Urtextausgabe

72 Solokantaten für eine Singstimme, ein Instrument und Basso continuo.

Kantanten aus dem Osterfestkreis. Mittlere Stimme, Melodie-Instrument, Basso continuo.

> Urtext edition based on 'Georg Philipp Telemann, Musical Works' > Cantata for the first day of Whitsun > Ideal for church services and concerts > An attractive addition to the repertoire with a view...

In his Missa sacra, Op. 147, the Protestant Robert Schumann included the solo offertory hymn “Tota pulchra es, Maria”, entirely in the Romantic Catholic tradition of devotion to Mary. This wonderfully...

This six-movement chorale cantata was first performed on 26 December 1724. The text is based on the Lutheran translation of the early Christian hymn A solis ortus cardinem. The outer movements frame t...

Although 'Warum betrübst du dich, mein Herz' (What is it troubles thee, my heart) BWV 138 is based on the chorale of the same name, it is nevertheless not regarded as one of Bach's chorale cantatas. I...

Bach's chorale cantata with its opening text 'Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen' (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for t...

The cantata 'Mein liebster Jesus ist verloren' BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, inste...

Johann Sebastian Bach’s Magnificat BWV 243 was composed in its first form in E flat, right at the beginning of Bach’s period in Leipzig, possibly for the Visitation of Mary on July 2, 1723. Its perfor...

Great Baroque church music full of color and powerful imagery! 'Sing to the Lord a new song! Sing, rejoice and praise his holy name with the trumpets and cornetts! And nature shall join in, the seas s...

The office as a priest and the long years as musical director of the Ospedale della Pietà (a large orphonage in Venice) both occasioned and inspired him to compose church music in large variety. The M...

El Salmo 147 "Lauda Jerusalén" ocupa un lugar importante en el año eclesiástico, entre otras cosas en las vísperas de las fiestas marianas. La única composición de Antonio Vivaldi de este salmo de vís...

La composición musical del salmo «Credidi, propter quod locutus sum» (RV 605) es una curiosidad entre las obras vocales sacras de Antonio Vivaldi, ya que se trata de un arreglo de otro arreglo. La bas...

La composición musical del salmo «Credidi, propter quod locutus sum» RV 605 es una curiosidad entre las obras vocales sacras de Antonio Vivaldi, ya que se trata de un arreglo de un arreglo. La base de...

La composición musical del salmo «Credidi, propter quod locutus sum» (RV 605) es una rareza entre las obras vocales sacras de Antonio Vivaldi, ya que se trata de una adaptación de otra adaptación. La...

Orquestada para coro SATB y con partes adicionales para instrumentos de viento por Joseph von Eybler; las partes para trombones fueron añadidas por Ignaz Xaver Ritter von Seyfried, y revisada por Otto...

Giuseppe Torelli (1658-1709) was the reputed father of the instrumental concerto; what is not widely known is that he also composed sacred vocal music. Discovered in 2001, when the Berlin Sing-Akademi...