Partituras de música clásica

Stimmensatz - Oboe I; Oboe II; Fagott; 4 Violinen I; 4 Violinen II; 2 Violen; 4 Violoncelli/Kontrabässe

This valuable though seldom played early work from his Salzburg period contains the entire youthful charme of Mozart. It can be played without wind instruments whose parts are in-cluded in the strings...

This valuable though seldom played early work from his Salzburg period contains the entire youthful charme of Mozart. It can be played without wind instruments whose parts are in-cluded in the strings...

The present arrangement is of practical use for small string ensembles in particular to study the polyphony of Bach.

Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for...

With this work, Pachelbel, who was born in Nuremberg, created one of the most popular orchestral pieces of the baroque period. In the canon two of the strictest contrapuntal forms are combined: The th...

Streichorchester; Bläser ad lib. und B.c.; Cembalo (Klavier), Violoncello (Viola da gamba) ad lib.

The comedy 'The Married Beau, or the Curious Impertinent' by John Crowne is based on an episode from the first part of Miguel Cervantes' novel 'Don Quixote'. Purcell's theatre music consists of nine m...

The comedy 'The Married Beau, or the Curious Impertinent' by John Crowne is based on an episode from the first part of Miguel Cervantes' novel 'Don Quixote'. Purcell's theatre music consists of nine m...

Stimmensatz - Oboe I/II, Horn-d I/II, 4 Violinen I/II, 2 Violen, 4 Violoncelli/Kontrabässe

A symphony that impresses by intransigence, extremely hard sound clusters and extremely strong emphasis on affections.

A symphony that impresses by intransigence, extremely hard sound clusters and extremely strong emphasis on affections.

Klavierauszug (zugleich Partitur)

Klavierauszug (zugleich Partitur)

As to melody, harmony, string setting and particularly the treatment of the miniature form, the work of the sixteen-year-old Schubert shows all characteristics of the later master. It can be performed...

As to melody, harmony, string setting and particularly the treatment of the miniature form, the work of the sixteen-year-old Schubert shows all characteristics of the later master. It can be performed...

As to melody, harmony, string setting and particularly the treatment of the miniature form, the work of the sixteen-year-old Schubert shows all characteristics of the later master. It can be performed...

As to melody, harmony, string setting and particularly the treatment of the miniature form, the work of the sixteen-year-old Schubert shows all characteristics of the later master. It can be performed...