Partituras de música clásica

'Sooner or later the 'Romantic Pieces' will pave their way through all the salons': thus the periodical Dalibor predicted when the 'Romantic Pieces' op. 75 were first issued by the publisher Simrock i...

Las Seis Suites para violonchelo solo de Bach se encuentran entre las obras más destacadas de la literatura para cuerda sola del siglo XVIII. Estas piezas también se han interpretado con la viola dura...

El Concierto en sol mayor TWV 51:G9 es el único concierto para viola de Telemann y también uno de los primeros conciertos solistas escritos para viola. Pertenece al repertorio estándar de todo violist...

For the first time the series 'Bärenreiter’s Concert Pieces' presents arrangements of concertos for viola and violoncello. The editions are an ideal continuation of the Sassmannshaus string methods bu...

Arrangiert für Bratsche, transponiert nach G-Dur Die Reihe für Bratsche bzw. Cello wird nun ergänzt um das wirkungsvolle, dreisätzige Schülerkonzert op. 22 von Friedrich Seitz, bereits erschienen für...

To complement the 'Sassmannshaus Early Start on the Viola' method, Bärenreiter offer a selection of recital pieces tailored to this educational concept. This edition presents 14 pieces covering a wide...

Six easy pieces in first position for viola and piano suitable for viola (or cello) players of grade 2-3 standard.

It is therefore quite wrong to place just mechanical or mediocre players at the viola', warned Christian Friedrich Daniel Schubart in 1784/85 in his 'Ideen zu einer Ästhetik der Tonkunst'. Some disreg...

The collection “Best of Viola Classics - 16 Famous Concert Pieces” for viola and piano presented by Schott contains a selection of works that can accompany every pupil in many years of his or her viol...

Ausgabe für Viola und Klavier

With its cantability and sweeping swing, this viola concerto is rightly one of the most popular works of this genre today. The first print of the composition appeared in 1916 under the name of Johann...

Anton Wranitzky war ein hoch geachteter und einflussreicher Lehrer, Violinist und Komponist aus Mähren. Er leistete wie sein älterer Bruder Paul, bei dem er die Anfänge des Violinspiels erlernte, eine...

The viola is often not credited with being able to take over a soloistic role - but this is completely unjust. In 1738 Johann Philipp Eisel already wrote of the viola as being the 'very bowels of musi...

A precious gem of romantic viola literature is now available in Henle quality! Thanks to the publisher's good connections to Russian archives, we were able to assess Glazunov's autograph for the first...

Good intentions are simply not good enough (to freely paraphrase Kurt Tucholsky): the arpeggione, a kind of hybrid instrument like a large bowed guitar, never won acceptance among musicians. This curi...

In 1838 Robert Schumann complained: 'The piano is becoming too narrow for me. I often hear in my current compositions a lot of things that I can hardly indicate'. Thus, in 1840, Schumann dedicated him...

The core repertoire of low string instruments would not be the same without Johann Sebastian Bach's three gamba sonatas, which hark back to other works by him that were originally scored for different...

J. S. Bach's three gamba sonatas belong among the core repertoire of this low string instrument. They hark back to other works of his that were originally for different performing forces. What they al...

For this edition, all known sources were evaluated, and thus an Urtext edition of this concerto is now available, including a preface and notes section, in which the complex source situation is explai...

A pearl in the romantic repertoire for viola and orchestra! Bruch's 'Romance' has long occupied a permanent place in the viola repertoire, whether in lessons or on the concert stage. Our edition is th...

originally for Horn and Piano.