Partituras de música clásica

2 Violins, 1 Viola, 1 Cello, 1 Contrabass

Instruments: String Quartet: 2 Violins 1 Alto 1 Cello - Difficuly Level: Grade 3 - Duration: 1 mn 40 - Musical Style: Classical - Category: Arrangement - Composer: Marc-Antoine CHARPENTIER - Arranger:...

Erste Spielausgabe des bisher unveröffentlichten Streichquartetts. 'Noch nie ist mir in Musik vor Wagner und Liszt (Fanny starb 9 Jahre vor der Vollendung von Wagners 'Tristan und Isolde') eine derart...

La Guerres Violinsonaten gehören zu den ersten französischen Werken dieser Gattung. Sie zeigen Charakte­ristisches für den Sonatenstil der Komponistin: eine Vielzahl von Sätzen (bis zu 8 Sätze) unters...

When Dvořák suddenly became internationally famous in 1878 with his Slavonic Dances, he received, among other things, a request for a new string quartet from Jean Becker, the first violinist of the re...

In autumn 1895, after returning from New York once and for all, Dvorák took up his former position as teacher at the Prague Conservatory. This clearly had an inspiring impact on him because in the spa...

The Sextet in B-flat major was already judged to be 'one of the most beautiful works by this young composer' after its initial performances in early 1861. It was popular with both public and press, an...

After Volumes IV and III of the series with Mozart's complete string quartets appeared as Henle Urtext editions in early 2017 and 2019 respectively, Mozart expert Wolf-Dieter Seiffert now presents Vol...

Redolent of the work of Dmitri Shostakovich in its musical language, Evgeny Kissin's String Quartet op. 3 comprises four strongly contrasting movements: on the heels of the stately 'Adagio liberamente...

In 1919-20 George Gershwin was making a name for himself with Broadway songs and a first show of his own in New York. But he was already attracted to the world of classical music - a world he would en...

Dvorák composed his Terzetto op. 74 in 1887 as the result of a spontaneous desire to write some domestic music. Inspired by neighbourhood violin lessons, he wrote these four little movements for two v...

Alexander Zemlinsky's music was long unjustly overshadowed by what was regarded as the 'more progressive' Second Viennese School. Although Zemlinsky was close friends with its protagonist Arnold Schön...

Although Dvorak's stay in America (1892-95) was very successful, the composer suffered a good deal from homesickness. He had begun the string quartet in A flat major in New York, but continued with it...

Composed in autumn of 1881, Opus 61 is the last of Dvořák's 'middle' quartets by chronology for which Beethoven and Schubert served as the most significant models. Beethoven's influence, from thematic...

Los seis cuartetos de cuerda de Béla Bartók, compuestos entre 1908 y 1940, son hitos del género en el siglo XX. Su Primer Cuarteto de Cuerda está estrechamente vinculado a su desdichado amor por la vi...

El Segundo Cuarteto de cuerda de Bartók fue compuesto -con varias interrupciones largas- entre 1915 y 1918, después de que hubiera pasado varios años dedicado casi exclusivamente a recopilar música fo...

El Cuarteto de cuerda nº 3 es el más breve de los seis cuartetos de Béla Bartók, y también fue compuesto en un tiempo extraordinariamente corto. Escribió la partitura en septiembre de 1927, y en dicie...

Incluso antes de que su Cuarteto de cuerda nº 3 apareciera impreso en 1929, Bartók ya estaba trabajando en un cuarto en el verano de 1928. Esta obra de cinco movimientos está dispuesta simétricamente...

El más largo y a la vez complejo de los seis cuartetos de cuerda de Bartók fue compuesto en el verano de 1934 como un encargo bien remunerado para la renombrada Fundación Elisabeth Sprague Coolidge de...

Bartók comenzó a trabajar en su Sexto Cuarteto de cuerda en el verano de 1939 como invitado de Paul Sacher en el idílico pueblo de montaña suizo de Saanen, antes de que el inminente estallido de la gu...

In setting Richard Dehmel's poem 'Verklärte Nacht' (Transfigured Night) in his op. 4, the young Arnold Schönberg pursued the intention, as he himself said, of 'attempting those new forms in chamber mu...

The music world associates Verdi's name so obviously with his operatic output that his contributions to other genres can easily be overlooked. His only chamber work owes its existence to an enforced b...