Partituras de Alfred para Big Band

Finally an easy version of this classic! Played with a swing feel around 144 BPM with a written-out alto solo, trumpet 1 range to written F top line, this easy to play crowd pleaser will be a hit. It'...

Finally an easy version of this classic! Played with a swing feel around 144 BPM with a written-out alto solo, trumpet 1 range to written F top line, this easy to play crowd pleaser will be a hit. It'...

Treated as a Latin cha-cha, played around 150 BPM, aptly titles, totally cool chart. Solos provided for alto 1 and trumpet 2, trumpet 1 range is up to written F-sharp top line. Excellent writing plus...

Treated as a Latin cha-cha, played around 150 BPM, aptly titles, totally cool chart. Solos provided for alto 1 and trumpet 2, trumpet 1 range is up to written F-sharp top line. Excellent writing plus...

Treated as a Latin cha-cha, played around 150 BPM, The Cool One arranged by Erik Morales is aptly titled - a totally cool chart. Solos provided for alto 1 and trumpet 2, trumpet 1 range is up to writt...

Treated as a Latin cha-cha, played around 150 BPM, aptly titles, totally cool chart. Solos provided for alto 1 and trumpet 2, trumpet 1 range is up to written F-sharp top line. Excellent writing plus...

Este estándar de jazz es típicamente un vals de jazz, pero esta magnífica carta tiene una sensación muy cadera latina-pardido en 4/4. El ritmo es media nota alrededor de 77 BPM. El tempo es de media n...

This jazz standard is typically a jazz waltz, but this superb chart has a very hip Latin-pardido feel in 4/4. Tempo is half note around 77 BPM, with solo opportunities, tenor 1 and trumpet 2 with sugg...

Este estándar de jazz es típicamente un vals de jazz, pero esta magnífica carta tiene una sensación muy cadera latina-pardido en 4/4. El ritmo es media nota alrededor de 77 BPM. El tempo es de media n...

This jazz standard is typically a jazz waltz, but this superb chart has a very hip Latin-pardido feel in 4/4. Tempo is half note around 77 BPM, with solo opportunities, tenor 1 and trumpet 2 with sugg...

A great standard for your vocalist with a bossa groove around 160 BPM. Lead trumpet range is to a written A above the staff with a written-out tenor sax solo and optional C, B-flat, E-flat, and trombo...

Night and Day arranged by Scott Ragsdale is a great Cole Porter standard for your vocalist with a bossa groove around 160 BPM. Lead trumpet range is to a written A above the staff with a written-out t...

Curacao Blue' by Zachary Smith has a Latin groove with an easy bossa rhythmic pattern. Features a tempo around 134 BPM, trumpet 1 range to written E top space, a written tenor solo, clear articulation...

Curacao Blue' by Zachary Smith has a Latin groove with an easy bossa rhythmic pattern. Features a tempo around 134 BPM, trumpet 1 range to written E top space, a written tenor solo, clear articulation...

Curacao Blue' by Zachary Smith has a Latin groove with an easy bossa rhythmic pattern. Features a tempo around 134 BPM, trumpet 1 range to written E top space, a written tenor solo, clear articulation...

no one else is writing Latin tunes that are this good! (3:55)

no one else is writing Latin tunes that are this good! (3:55)

This is an essential standard tune that every student of jazz should know. Victor Lopez provides your band with the opportunity to learn this legendary song in a new setting with a few twists. The hea...

¡El mambo está de moda! El Rey del Mambo, Víctor López, lo vuelve a hacer a lo grande. Nacido en Cuba, Víctor conoce la música latina: la esencia, el sentimiento y, lo que es más importante, cómo escr...

The mambo is hot! El Rey del Mambo (The King of Mambo), Victor Lopez, does it again--big time. Born in Cuba, Victor knows Latin music--the essence, the feel and, most important, how to write it for yo...

The mambo is hot! El Rey del Mambo (The King of Mambo), Victor Lopez, does it again--big time. Born in Cuba, Victor knows Latin music--the essence, the feel and, most important, how to write it for yo...

Here's a super Latin chart for your first-year players. A driving rhythm keeps the energy going top to bottom on this Carl Strommen original. The piano sets things up in the intro, and the cowbell bui...

Here's a super Latin chart for your first-year players. A driving rhythm keeps the energy going top to bottom on this Carl Strommen original. The piano sets things up in the intro, and the cowbell bui...

Here's a super Latin chart for your first-year players. A driving rhythm keeps the energy going top to bottom on this Carl Strommen original. The piano sets things up in the intro, and the cowbell bui...

¡Ganador del Grammy a la Canción del Año 2000! Santana ha vuelto y está que arde. Arreglada por Mike Lewis para tus músicos de nivel III, SMOOTH se transforma en un vehículo ideal para el conjunto de...