Partituras de Antonio Vivaldi para coro mixto

Soli SSAT, Coro SATB, 2 Ob, 2 Vl, Va, Bc (Soli SA, Coro SATB, 2 Vl, Va, Bc)

Solo S, Coro SATB/SATB, 2 Orch: 2 Vl, Va, Bc, [Ob]

Anlass für die Komposition geistlicher Werke war Vivaldis Anstellung am 'Ospedale della Pietà', einem jener vier Waisenhäuser Venedigs, in denen die jungen Mädchen eine intensive musikalische Ausbildu...

Este Dixit, que habría abierto las Vísperas en honor de la Virgen, también podría haber sido escrito para las Vísperas dominicales; Sin embargo, la existencia de una partitura autógrafa de la Introduz...

From the third act of Vivaldi's opera La Fida Ninfa, this triumphant chorus in 3/4 is built upon solid 3-part choral writing. An optional flute duet, timpani part, and featured small ensemble in the B...

From the third act of Vivaldi's opera La Fida Ninfa, this triumphant chorus in 3/4 is built upon solid 3-part choral writing. An optional flute duet, timpani part, and featured small ensemble in the B...

This Baroque opera chorus from Vivaldi's La fida ninfa was first heard at the grand opening of the Teatro Filarmonico in Verona, Italy. Available for 2- and 3-part choirs, this edition includes buoyan...

Arreglado para solistas, coro y órgano.

Arreglado para solistas, coro y órgano.

La más famosa de las obras de Vivaldi titulada Gloria (RV 589), esta edición de Clayton Westermann incluye un breve prefacio para explicar la práctica interpretativa. De las tres Glorias grabadas que...

Antonio Vivaldi (1678-1741) escribió numerosas versiones en sol menor del cántico del Magnificat, modificando sus propias composiciones a lo largo de sus décadas como director musical del Ospedale del...

This Vivaldi work in D Major, RV 639 and RV 588, features an Introduction, "Jubilate," which is an aria for alto soloist, followed by a short recitative, and then the main work for mixed chorus and al...

Cantico for 2 SATB Choirs and Double Orchestra. English and Latin Text.

The first chorus of Vivaldi's Beatus Vir Also available: Paratum Cor Ejus (HMC180), In Memoria Aeterna (HMC179), and Gloria Patri (HMC178)

Final chorus from Vivaldi's Beatus VirAlso available: Beatus Viv (HMC177), Paratum Cor Ejus (HMC180), and In Memoria In Aeterna (HMC179).

The third chorus from Vivaldi's Beatus Vir produces an atmosphere of floating transparencyAlso available: Beatus Vir (HMC177), Paratum Cor Ejus (HMC180), and Gloria Patri (HMC178)

The second chorus from Vivaldi's Beatus Vir is a thought (and discussion) provoking piece Also available: Beatus Vir (HMC177), Paratum Cor Ejus (HMC180), and Gloria Patri (HMC178)

Coro SATB, 2 Vl, Va, Bc

Soli SATB, Coro SATB/SATB, 2 Orch: 2 Ob, 2 Tr, 2 Vl, Va, Bc, [Timp]

Soli SSAT, Coro SATB, 2 Ob, Tr, 2 Vl, Va, Bc

GLORIA is a setting of the hymn of praise from the traditional Latin Mass. The work is divided into twelve seperate movements, which include eight choruses, one aria for soprano, two arias for alto an...

GLORIA is a setting of the hymn of praise from the traditional Latin Mass. The work is divided into twelve seperate movements, which include eight choruses, one aria for soprano, two arias for alto an...