Partituras de Aribert Reimann para descargar

Night-like sounds are explored in a variety of ways in the three parts of this wide-ranging scene. Ornamental and playful, the piano entwines with the singing voice in the first part. In the recitativ...

In the run-up to the Schumann Year 2010, Reimann now presents one of the standard works of clarinet literature in a tonally sublime arrangement for clarinet, flute, harp and two violas in which Reiman...

...ni una sombra is scored for soprano, clarinet and piano, the same trio instrumentation that has become famous by Franz Schubert's Hirt auf dem Felsen. The piece contrasts a poem by Friedrich Rücker...

In these lieder, Robert Schumann seems to mirror his life full of crises. The composition coincides with the first signs of his illness. The picture of the drowning Ophelia evoked in the first chant con...

Oper in zwei Teilen

Einzelausgabe - Mezzo-Sopran

Aribert Reimanns Bearbeitungen bekannter romantischer Klavierlieder von Schubert, Schumann, Mendelssohn, Liszt u.a. für Singstimme und Streichquartett sind bereits in das Standardrepertoire eingegange...

Another collection in the series of arrangements of lieder of the German Romantik for voice and string quartet by Reimann (6 Songs Op. 107 by Robert Schumann, ED 8329 and Franz Schubert's Mignon, ED 8...

Wolfgang Amadeus Mozart originally composed his famous piano concerto for the deeper-toned basset clarinet. The famous clarinettist Sabine Meyer has faithfully performed Mozart's work for a long time....

Aribert Reimann's second opera Melusine, premiered in 1971, was created before Lear. 'Yvan Goll modernized the story in 1922 by setting the story in the present day: Melusine kills to protect nature,...

Twelve symphonic cellos form the string group in Aribert Reimann's opera The House of Bernarda Alba, which earned the distinction of Best first performance of the year 2000. Solo II may be seen as an...

German and French fragments by Rilke from the years 1911 to 1921 form the basis of the text of this composition. Reimann sees Rilke in affinity with Kafka. The tonal language is not lost in dreams, as...