Partituras de Barbershop para coro mixto

From Part III of the oratorio Judas Maccabaeus, this joyful chorus dances with Baroque jubilation, now in an excellent performing edition with historical notes and background.

From Part III of the oratorio Judas Maccabaeus, this joyful chorus dances with Baroque jubilation, now in an excellent performing edition with historical notes and background.

From the Handel oratorio Israel in Egypt, this lovely pastorale movement for four-part mixed voices in a new performing edition draws the comparison of the shepherd and his sheep and the exodus of the...

As one of America's exciting young composers, Dominick DiOrio is stretching the boundaries of choral music. In Alleluia, he explores the percussive qualities of the voice and the lyrical quality of th...

As one of America's exciting young composers, Dominick DiOrio is stretching the boundaries of choral music. In Alleluia, he explores the percussive qualities of the voice and the lyrical quality of th...

This cycle of three psalms captures key ritual moments in the Jewish life cycle. Birth, marriage and death are the powerful milestones that frame our existence. Composed by Bruce L. Ruben, Director of...

Craig Hella Johnson is one of the most creative programmers, conductors and composers in America. This new work, with a text by the late young poet, Mattie Stepanik, is a simple and spacious setting o...

Craig Hella Johnson is one of the most creative programmers, conductors and composers in America. This new work, with a text by the late young poet, Mattie Stepanik, is a simple and spacious setting o...

English Only.

The publication of this madrigal-like chorus marks the first time a separate octavo from Ottorino Respighi's (1879-1936) Laud to the Nativity has been made available. Dance with the shepherds as they...

The text of Tzadik Katamar is the final verses of Psalm 92. Composer Emanuel Kirschner served as chief cantor of Munich for much of his career. His setting, written for solo cantor and organ, original...

The text of Tzadik Katamar is the final verses of Psalm 92. Composer Emanuel Kirschner served as chief cantor of Munich for much of his career. His setting, written for solo cantor and organ, original...

As part of the new Judith Clurman Rejoice: Honoring the Jewish Spirit series this rhythmic and energetic setting of Psalm 150, Praise the Lord, Praise God in His Sanctuary is in Hebrew. A clear and co...

As part of the new Judith Clurman Rejoice: Honoring the Jewish Spirit series this rhythmic and energetic setting of Psalm 150, Praise the Lord, Praise God in His Sanctuary is in Hebrew. A clear and co...

Commissioned for the 2016 Eastern Division ACDA, this Christina Rossetti poem is a wonderful teaching piece. The melodic line in the opening section is constructed to evoke feelings of beauty, loss an...

Commissioned for the 2016 Eastern Division ACDA, this Christina Rossetti poem is a wonderful teaching piece. The melodic line in the opening section is constructed to evoke feelings of beauty, loss an...

Two separate pieces under one cover - Hineih Ma Tov and Oseh Shalom - the first from Psalm 133 and the second from the book of Job and both expressing the hope and desire of a peaceful world.

Two separate pieces under one cover - Hineih Ma Tov and Oseh Shalom - the first from Psalm 133 and the second from the book of Job and both expressing the hope and desire of a peaceful world.

Exploring the sound world of Northern India while setting the words of Bengali poet Tagore, here is a stylistic new work suitable for any community choir. The English translation is the poet's own and...

Exploring the sound world of Northern India while setting the words of Bengali poet Tagore, here is a stylistic new work suitable for any community choir. The English translation is the poet's own and...

The cries of the damned begin this powerful 2nd movement from the Mozart Requiem. Day of wrath, day of judgment make a dramatic statement indeed to begin the music. The chorus is mostly homophonic whi...

The cries of the damned begin this powerful 2nd movement from the Mozart Requiem. Day of wrath, day of judgment make a dramatic statement indeed to begin the music. The chorus is mostly homophonic whi...

This offering from the pen of Mary McDonald, based on Psalm 30 sparkles with energy from beginning to end. The driving rhythms that begin the piece give way to a slightly more legato section and then,...

Im sehnsuchtsvollen 'Be thou my vision' zeigt John Rutter einmal mehr seine reichen, orchestralen Farben und wunderschönen Melodien.

Diese klassische Rutter-Hymne mit ihrer charaktervollen Klavier- oder Orchesterbegleitung sollte in keinem Chorrepertoire fehlen!