Partituras de Barbershop para coro mixto

The optional opening section, for which there is a graphic score, is spoken to texts by Henry Wadsworth Longfellow and other esteemed poets and authors. The four sung movements which follow are conven...

This energetic and joyful carol features contrasting dynamics, buoyant rhythms, and changing metres. Offprinted from Carols for Choirs 6.

Andrew Carter's setting matches in its powerful simplicity the text attributed to the French Quaker missionary, Stephen Grellet: 'I expect to pass through this world but once; any good thing therefore...

Setting the George Herbert poem 'Whitsunday', this lilting, gentle anthem is particularly useful for Whit Sunday services. Syncopations and duplets provide rhythmic interest, with memorable melodies,...

This tender movement from the Advent cantata O Come, Emmanuel is in memory of Bullard's teacher, Herbert Howells, with text translated from a traditional German carol Es ist ein Ros entsprugen. Suitab...

This sacred a cappella work is a joyous anthem, written for the Papal visit to Westminster Abbey in September 2010.

Commissioned by King's College, Cambridge for the 2009 Festival of Nine Lessons and Carols, this beautiful carol sets a well-loved text by G. K. Chesterton. It would make an ideal introduction to Jack...

This suite from 1925 is one of Vaughan Williams' most enigmatic pieces. The chorus never articulates a single word, and instead serves as a section of the orchestra, creating an elegant vocal texture...

Higgins' setting of this popular folk song is simple and wistful, particularly well-suited for children's and youth choirs. With delicate quaver flourishes, the piano accompaniment flows gently alongs...

This is a beautiful and modern setting of a traditional text, popularised by Orlando Gibbons' well-known madrigal 'The silver swan'. Also available in versions for solo low voice and SSA.

Gounod's classic Christmas anthem is published here in its original scoring for Soprano and Alto soloists, three-part chorus of Upper Voices, Piano and optional Organ/Harmonium.

The Island Itself is a setting of the poem Homage to Omey by Irish poet, Joan McBreen. The imagery of the sea conveyed in the text is reflected through lilting, syncopated rhythms. The melody is suppo...

This exciting work for choir and solo violin draws its title from Edward Winslow's 1624 chronicles, Good Newes from New England, in which he describes the Mayflower Pilgrims' settlement in the New Wor...

This anthem is set to a text by the 10th-century Sufi mystic, Al-Junaid. For the most part, the mood is intimate and introspective; intertwining, whispered melodies, sometimes in free time, alternate...

This melody is most commonly heard in the United States, and includes Rutter's own arrangement of the sixth and final verse. Orchestral scores and parts are also available on hire. Offprinted from the...

The Nidaros Jazz Mass draws on a variety of jazz styles to present a fun and innovative setting of the Latin Missa brevis. With a stylistic piano part, and an optional bass and drum kit part, it will...

Ingegneri's setting of Estote fortes in bello alternates between declamatory homophonic sections and imitative contrapuntal writing, culminating in a dance-like and joyful finale of 'alleluia' stateme...

A short upbeat anthem, Cantate Domino sets words from Psalms 9, 95, and 97 and features contrasting styles, optional clapping, and an optional verse in French.

Phoenix is a series of interlinked, contrasting sections - by turns elegiac, radiant, and menacing - culminating in a luminous cantilena for the four melody instruments against densely clustered chord...

Full score and set of parts for John Rutter's I too shall walk to Bethlehem. This set contains the following parts: 2 x fl, 1 x ob, 2 x cl, 1 x bsn, 2 x hn, 1 x hp, 4 x vln I, 4 x vln II, 3 x vla, 2 x...

The Compass uses evocative imagery to describe how feelings of being lost and adrift can be assuaged by journeying towards self-acceptance and positive change. A characterful four-note motif punctuate...

A festive introit.

Motette Nr. 21 aus Geistliche Chormusik 1648. Urtext der Neuen Schütz-Ausgabe. Gemischter Chor-SSATTB, Basso continuo ad lib. - Singpartitur