Partituras de Barbershop para coro mixto

Stacey Gibbs has become one of the most commissioned composers of our age because his arrangements of spirituals bring the house down. His setting of this familiar spiritual falls right into line - so...

Want to pep up a worship service, or rouse the audience with a super encore? This is the piece to do it. There's some fun levity in this good ol' spiritual, especially the part about the choir singer....

Stacey Gibbs is known for his fine arrangements of spirituals. What a treat to hear his artistry at work on a classic hymn like Softly and Tenderly. There's a middle section he has created when you ca...

This powerfully descriptive piece by Paul Doust uses programmatic musical elements that mirror the lyrics. The text is an anonymous, Gaelic blessing with poetic words and images. Paul's setting is fre...

Seven variations on an old Ashkenazic folk song for children. Text by L. Kipnis. For SATB choir and solo voice a cappella, in Hebrew.

Text from Psalm 121. For SATTB A Cappella.

Song of Solomon 1:1-2, 3:2, 8:14. Based on Lithuanian cantillation. For SAATB, Rehearsal Keyboard.

Song of Solomon 1:1-2, 3:2, 8:14. Based on Lithuanian cantillation. For SAATB, Rehearsal Keyboard.

Lyrics by Steven Brown. 'You were just names to us, on a long journey, you were just names to us, on the troubling journey. ' For SATB a cappella, Rehearsal Keyboard.

Transcontinental Music's all-time bestseller. The text was found written on a wall in a basement in Cologne, Germany by Allied troops after World War II. Available for SATB, SSAA and TTBB

The Alice Parker Choral Series. Text by Dunash ben Lavrat. To those who enlighten and those who enlightened, give abundant peace like the waters of a stream. For SATB a cappella. Rehearsal piano part...

The Alice Parker Choral Series. Text by Y. Sheinburg. Rise up, let's go, rise up, Comrades, return! For SATB a cappella. Rehearsal piano part included.

The Alice Parker Choral Series. Text by Y. Sheinburg. Rise up, let's go, rise up, Comrades, return! For SATB a cappella. Rehearsal piano part included.

NEW! Written for the 2000 Convention of the American Guild of Organists, An American Kedushah is a monumental piece. Working closely with Eleanor Epstein, conductor of the Zemer Chai Chorale of Washin...

NEW! Written for the 2000 Convention of the American Guild of Organists, An American Kedushah is a monumental piece. Working closely with Eleanor Epstein, conductor of the Zemer Chai Chorale of Washin...

The classic arranged for a fun SATB (a cappella)

A stunning melody by Smolover and choral arrangement by Kroll-Rosenbaum, set to a poem written by an anonymous author at Terezin concentration camp.

Some hallmarks of an excellent choral arrangement are sensitivity to the text, singing lines for each of the vocal parts, and variation in texture. Zuckerman's arrangements are so good, they almost si...

Some hallmarks of an excellent choral arrangement are sensitivity to the text, singing lines for each of the vocal parts, and variation in texture. Zuckerman's arrangements are so good, they almost si...

Includes: 1. Lift My Eyes (Psalm 121) * 2. Your Holy Mountain (Isaiah 56:7) * 3. Come Ye and Let Us Go Up (Isaiah 2:3-4) * 4. And It Shall Come to Pass (Isaiah 65:24-25).

Includes: 1. Lift My Eyes (Psalm 121) * 2. Your Holy Mountain (Isaiah 56:7) * 3. Come Ye and Let Us Go Up (Isaiah 2:3-4) * 4. And It Shall Come to Pass (Isaiah 65:24-25).

Nick Page strikes again with a dynamic, uplifting unaccompanied tune beginning to be performed by your ensemble for Chanukah! Choirs will have lots of fun with this lively, intense setting of the Hebr...

Just in time to celebrate the iconic Max Janowski's centennial year! This piece has been a beloved and often-heard classic for years, but this new version, for solo voice with unaccompanied double cho...

Thomas Tallis (1505-1585) was equally at ease composing simple settings of English texts, and more florid Latin motets, as the examples in this collection show. Includes: Hear the voice and prayer; If...

Thomas Tallis (1505-1585) was equally at ease composing simple settings of English texts, and more florid Latin motets, as the examples in this collection show. Includes: Hear the voice and prayer; If...