Partituras de Billy Strayhorn para Big Band

El emblemático estándar de jazz de Billy Strayhorn, grabado por Duke Ellington, se adapta hábilmente en esta versión fácil. Desde la introducción característica, los saxos en el tema principal y los b...

This very special and historic publication is an exact transcription of the 1941 version recorded by Duke Ellington. David Berger's expertise is evident in the completely voiced out rhythm parts and w...

This arrangement, first known as Elf, was originally written sometime in 1963. It was first recorded in New York on July 18, 1963. The title had been changed to Isfahan sometime before the Duke Elling...

Junte al brillante compositor Billy Strayhorn y al magnífico arreglista Alan Baylock, y tendrá una experiencia musical excepcional. Este es el tema para saxo alto que ha estado buscando, sin dificulta...

'Total Jazz' is a shuffle blues chart in G. This flexible head chart can be opened up for any soloist, and features great riffs that go into a 3/4-time coda.

One of the Duke's most loved melodies in an easy setting for vocal soloist. Skillfully handled by Jerry Nowak.

Grade 4. (Taylor)

Si conoce la música del genial compositor Billy Strayhorn, le encantará este tema. Una melodía inteligente, y una carta excepcional que se balancea en serio todo el camino. Los solos están escritos pa...

The great Strayhorn tune set in a wonderfully playable chart with Holman's unique, clever approach. There are no unreasonable ranges in this piece, and there is solo space for alto, tenor and trombone...

Warner Bros. Publications is proud to present this important series, Jazz at Lincoln Center Library. Each selection was selected by the Center's musical director, Wynton Marsalis. Each transcription i...

Composed by the legendary Billy Strayhorn, this is truly one of the masterpieces of jazz. Mark Taylor has beautifully crafted a feature for alto sax using a variety of styles and settings. Basically s...

Composed by the legendary Billy Strayhorn, this is truly one of the masterpieces of jazz. Mark Taylor has beautifully crafted a feature for alto sax using a variety of styles and settings. Basically s...

Here is Billy Strayhorn's beloved ballad, skillfully arranged with subtle reharmonizations and reworkings of the melody, all the while remaining faithful to the original intent. Featured are solos for...

Here is Billy Strayhorn's beloved ballad, skillfully arranged with subtle reharmonizations and reworkings of the melody, all the while remaining faithful to the original intent. Featured are solos for...

A beautiful alto saxophone ballad, the tempo is around 72 BPM and the instrumentation is 5 saxes, 1 trumpet, 3 trombones, piano, bass, drums. Edited and adapted in exacting detail.

A beautiful alto saxophone ballad, the tempo is around 72 BPM and the instrumentation is 5 saxes, 1 trumpet, 3 trombones, piano, bass, drums. Edited and adapted in exacting detail.

Una de las mejores canciones de la carrera del brillante compositor y arreglista Billy Strayhorn. En la versión de Mike Kamuf con un toque de Bossa-Nova a doble tiempo, ¡podrás disfrutar de cada nota!

Composed by the legendary Billy Strayhorn, this is truly one of the masterpieces of jazz. Mark Taylor has beautifully crafted a feature for alto sax using a variety of styles and settings. Basically s...

Here is Billy Strayhorn's beloved ballad, skillfully arranged with subtle reharmonizations and reworkings of the melody, all the while remaining faithful to the original intent. Featured are solos for...

This arrangement was written by Billy Strayhorn in 1963 and was first performed in Sweden on March 9, 1964. While on tour in Europe during that year Ellington introduced several pieces as Impressions...

In early 1967 Strayhorn, who was suffering from esophagael cancer and the effects of radiation treatment, set out to compose a multi-movement work in which one of sections was to be titled Blue Cloud....

In 1959 Mercer Ellington assembled his dad's working ensemble in a New York studio to record an album for Coral Records that is known as Colors in Rhythm. The idea was to take a few of Mercer's origin...

Think of Take the 'A' Train with a contemporary flair and you have the idea behind this inventive chart by Alan Baylock. Opening up in a swing groove, then alternating with a funk feel, bari sax, bass...