Partituras de Breitkopf & Härtel para orquesta

Ludwig van Beethoven conceived his 7th Symphony in the summer of 1811 in the Bohemian spa town of Teplitz. The fair copy of the score autograph was made in 1812. The work was first heard on December 8...

Ludwig van Beethoven conceived his 7th Symphony in the summer of 1811 in the Bohemian spa town of Teplitz. The fair copy of the score autograph was made in 1812. The work was first heard on December 8...

Ludwig van Beethoven conceived his 7th Symphony in the summer of 1811 in the Bohemian spa town of Teplitz. The fair copy of the score autograph was made in 1812. The work was first heard on December 8...

Ludwig van Beethoven conceived his 7th Symphony in the summer of 1811 in the Bohemian spa town of Teplitz. The fair copy of the score autograph was made in 1812. The work was first heard on December 8...

Ludwig van Beethoven conceived his 7th Symphony in the summer of 1811 in the Bohemian spa town of Teplitz. The fair copy of the score autograph was made in 1812. The work was first heard on December 8...

Ludwig van Beethoven conceived his 7th Symphony in the summer of 1811 in the Bohemian spa town of Teplitz. The fair copy of the score autograph was made in 1812. The work was first heard on December 8...

With sovereign expertise, Hauschild manages to combine source criticism and the requirements of performance practice, while also keeping the Critical Report (included in the score, of course) concise.

With sovereign expertise, Hauschild manages to combine source criticism and the requirements of performance practice, while also keeping the Critical Report (included in the score, of course) concise.

With sovereign expertise, Hauschild manages to combine source criticism and the requirements of performance practice, while also keeping the Critical Report (included in the score, of course) concise.

With sovereign expertise, Hauschild manages to combine source criticism and the requirements of performance practice, while also keeping the Critical Report (included in the score, of course) concise.

With sovereign expertise, Hauschild manages to combine source criticism and the requirements of performance practice, while also keeping the Critical Report (included in the score, of course) concise.

With sovereign expertise, Hauschild manages to combine source criticism and the requirements of performance practice, while also keeping the Critical Report (included in the score, of course) concise.

The difficult balancing act between the requirements of practical usefulness and philological meticulousness has been accomplished at a level that sets the bar for comparable efforts frighteningly hig...

The difficult balancing act between the requirements of practical usefulness and philological meticulousness has been accomplished at a level that sets the bar for comparable efforts frighteningly hig...

The difficult balancing act between the requirements of practical usefulness and philological meticulousness has been accomplished at a level that sets the bar for comparable efforts frighteningly hig...

The difficult balancing act between the requirements of practical usefulness and philological meticulousness has been accomplished at a level that sets the bar for comparable efforts frighteningly hig...

The difficult balancing act between the requirements of practical usefulness and philological meticulousness has been accomplished at a level that sets the bar for comparable efforts frighteningly hig...

The difficult balancing act between the requirements of practical usefulness and philological meticulousness has been accomplished at a level that sets the bar for comparable efforts frighteningly hig...

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)