Partituras de Breitkopf & Härtel para orquesta

A visit to the opera provided the impetus for dealing with the fairy-tale theme of the knight Raimund's love for the beautiful mermaid Melusine, which forms the basis of Mendelssohn's fourth concert o...

A visit to the opera provided the impetus for dealing with the fairy-tale theme of the knight Raimund's love for the beautiful mermaid Melusine, which forms the basis of Mendelssohn's fourth concert o...

A visit to the opera provided the impetus for dealing with the fairy-tale theme of the knight Raimund's love for the beautiful mermaid Melusine, which forms the basis of Mendelssohn's fourth concert o...

A visit to the opera provided the impetus for dealing with the fairy-tale theme of the knight Raimund's love for the beautiful mermaid Melusine, which forms the basis of Mendelssohn's fourth concert o...

A visit to the opera provided the impetus for dealing with the fairy-tale theme of the knight Raimund's love for the beautiful mermaid Melusine, which forms the basis of Mendelssohn's fourth concert o...

A repertoire work in the Urtext for practice edited by Christoph Hellmundt - Urtext according to the Leipzig Mendelssohn-Gesamtausgabe

A repertoire work in the Urtext for practice edited by Christoph Hellmundt - Urtext according to the Leipzig Mendelssohn-Gesamtausgabe

A repertoire work in the Urtext for practice edited by Christoph Hellmundt - Urtext according to the Leipzig Mendelssohn-Gesamtausgabe

A repertoire work in the Urtext for practice edited by Christoph Hellmundt - Urtext according to the Leipzig Mendelssohn-Gesamtausgabe

A repertoire work in the Urtext for practice edited by Christoph Hellmundt - Urtext according to the Leipzig Mendelssohn-Gesamtausgabe

A repertoire work in the Urtext for practice edited by Christoph Hellmundt - Urtext according to the Leipzig Mendelssohn-Gesamtausgabe

The much-played 'Scottish', which incidentally Mendelssohn never called so, appears in the Urtext edition in a new light.

The much-played 'Scottish', which incidentally Mendelssohn never called so, appears in the Urtext edition in a new light.

Felix Mendelssohn Bartholdy's Symphony No. 3 in A minor, Op. 56, the famous "Scottish Symphony", ranks among the most atmospherically captivating masterworks of the Romantic era. Inspired by the rugge...

The much-played 'Scottish', which incidentally Mendelssohn never called so, appears in the Urtext edition in a new light.

The much-played 'Scottish', which incidentally Mendelssohn never called so, appears in the Urtext edition in a new light.

For the 'Fidelio' overture, composed at lightning speed in 1814, a copy of the score in the Austrian National Library today provides a reliable basis for a new text-critical edition.

For the 'Fidelio' overture, composed at lightning speed in 1814, a copy of the score in the Austrian National Library today provides a reliable basis for a new text-critical edition.

For the 'Fidelio' overture, composed at lightning speed in 1814, a copy of the score in the Austrian National Library today provides a reliable basis for a new text-critical edition.

For the 'Fidelio' overture, composed at lightning speed in 1814, a copy of the score in the Austrian National Library today provides a reliable basis for a new text-critical edition.

For the 'Fidelio' overture, composed at lightning speed in 1814, a copy of the score in the Austrian National Library today provides a reliable basis for a new text-critical edition.

Urtext-Neuland: Die Ouvertüre Leonore Nr. 3 To this day, the two central Fidelio overtures are performed from musical texts that date back to the inaccurate and erroneous first printings of the parts....

Urtext-Neuland: Die Ouvertüre Leonore Nr. 3 To this day, the two central Fidelio overtures are performed from musical texts that date back to the inaccurate and erroneous first printings of the parts....

Urtext-Neuland: Die Ouvertüre Leonore Nr. 3 To this day, the two central Fidelio overtures are performed from musical texts that date back to the inaccurate and erroneous first printings of the parts....

Urtext-Neuland: Die Ouvertüre Leonore Nr. 3 To this day, the two central Fidelio overtures are performed from musical texts that date back to the inaccurate and erroneous first printings of the parts....