Partituras de Breitkopf & Härtel para orquesta

The new edition is based on the autograph and contemporary voice material as authentic sources.

Schumann, The Symhonies 5 study scores in slipcase

The edition supervised by Thomas Fritzsch goes back to the only authentic source, a copy from the late 19th century - its predecessors are lost to this day .

For the first time clearly the 'Fassung letzter Hand'. Breitkopf Urtext [Vl,Orch] 35' Solo: Vl - Picc 2.2.2.2. - 4.2.3.0. - Pk.Schl - Hfe - Str - (Riedel, Christian R.)

Urtext-Neuland: Die Ouvertüre Leonore Nr. 3 To this day, the two central Fidelio overtures are performed from musical texts that date back to the inaccurate and erroneous first printings of the parts....

For the 'Fidelio' overture, composed at lightning speed in 1814, a copy of the score in the Austrian National Library today provides a reliable basis for a new text-critical edition.

The much-played 'Scottish', which incidentally Mendelssohn never called so, appears in Urtext edition in a new light.

Long misunderstood between Beethoven and Brahms Schumann's last concertante orchestral work was first performed only in 1937 and at the same time published in an editorially inadequate edition. It was...

The 'Vesperae de Dominica' was composed in Salzburg in the same year 1779 as the 'Coronation Mass'. Mozart himself held this work in high esteem. We offer sample pages of the choral score for download...

A key work of the romantic concert literature Edition for violin and piano marked by Robert Schumann

Schumann, The Symphonies 5 study scores in slipcase

Schumann, The Symphonies 5 study scores in slipcase

The first set of Slavonic Dances, edited by Dvorak expert Klaus Döge, constituted a small series of works in 1996, which continued to grow in the following years.

In the case of the 1st Symphony, Clive Brown provides the optimal balance of source criticism and practical relevance.

The main differences from the available editions concern mainly articulation and dynamics in movements 1, 2 and 4. This Critical Report is a treasure trove for the practitioner ...

This key work offers a convoluted (and at the same time incomplete) source material. The autograph is lost.

As with the other Beethoven reissues by Clive Brown and Peter Hauschild, the editor does not mechanically align the often very different indications in the sources for the 4th Symphony.

The conducting score contains only an abridged version of the detailed Critical Report that was published separately in book form (Brown: The Reassessment of the Sources of Beethoven's 5th Symphony, B...

Hauschild's new edition is based on all important primary sources: autograph, first printing of parts, score copies supervised by Beethoven, and finally the first printing of the score.

Ludwig van Beethoven conceived his 7th Symphony in the summer of 1811 in the Bohemian spa town of Teplitz. The fair copy of the score autograph was made in 1812. The work was first heard on December 8...