Partituras de Breitkopf & Härtel para orquesta

Experience the thrilling emergence of a musical prodigy: Immediately following his twelve masterful string symphonies (1821–1823), the just 15-year-old Felix Mendelssohn Bartholdy composed his grippin...

The new edition is based on the well-known piano reduction by the composer and organist Ernst Friedrich Richter, which Breitkopf & Härtel published in Leipzig in 1845. At that time, the publisher had...

UA Brussels, April 25, 1969

UA Hamburg, June 4, 1989

Premiere Frankfurt, November 24, 1991

Premiere Winterthur, September 30, 2000 CD Gustav Rivinius (violoncello), Junge Deutsche Philharmonie, cond. Hans Zender CD Dialoge ('Allianz Kulturstiftung')

With the 5 study scores 'Schumann: Complete Symphonies' a large edition project comes to an end. The slipcase contains the new editions (1993-2001) of the four symphonies according to the last hand ve...

After Schumann, now Brahms: the symphonies in a slipcase The score of the edition Johannes Brahms - Sämtliche Werke is still authoritative today - especially since the most important orchestral, piano...

Antonín Dvořák’s Stabat Mater, Op. 58 is widely regarded as one of the most moving and profound masterpieces in the history of sacred music. Breitkopf & Härtel presents this monumental work for solois...

Wolfgang Amadeus Mozart’s Symphony in D major, K. 504—the celebrated "Prague" Symphony—is widely regarded as one of the boldest and most mature orchestral masterworks of the Classical era. Dispensing...

The premiere of 'Luonnotar' took place on September 10, 1913 at the Shire Hall in Gloucester. Luonnotar' is not only Sibelius' most important work for Ackté, it is one of his most important works ever...

Russian music researcher Polina Vajdman has gone back to all relevant sources in her editing.

Immerse yourself in the mesmerizing sonic world of French Impressionism: With "La Mer (Trois Esquisses Symphoniques)", Claude Debussy created one of the most significant and vividly colored orchestral...

Urtext nach der Leipziger Mendelssohn-Gesamtausgabe 28' The land of artists is Germany after all, Mendelssohn wrote in 1831 of his trip from Italy, but here 'is the land of art', and so the 22-year-ol...

La edición Urtext de Jean-François Monnard es la primera edición de La Valse que compara todas las fuentes pertinentes. Se ha utilizado como fuente la primera edición de la partitura, publicada en 192...

En el prefacio, Monnard ilumina la estética sonora de Ravel sobre el trasfondo de la recepción en concierto y las grabaciones históricas. Además, el editor ofrece una visión de las ideas de Ravel sobr...

Urtext despite carelessly notated autograph Mozart's late Symphony in E-flat major was composed in 1788, presumably for Academy concerts that did not materialize. The new edition is based on the only...

Un 'fuego artificial' en Urtext Después de 'Boléro' y 'La Valse', una tercera obra de Ravel, muy interpretada, se incluye en el programa orquestal de Breitkopf - y esto, por supuesto, en una edición '...

That Schumann truly dug his heels into symphonic creation becomes clear at the latest when we look not only at his four well-known symphonies, but also at the works between the genres, such as the Ove...

The question 'Why add music to such perfect poetry?' preoccupied Schumann long and intensively. His first compositional approach to Goethes 'Faust' began in 1844, but it was not until 1851 that he fin...

Schumann had already worked on Byron's Manfred as a law student, and the topic fascinated him from that time on. Perhaps he discovered a spiritual affinity to himself in the romantic hero's inner conf...

The Overture to Hermann and Dorothea is the only compositional result that Schumann reaped from Goethes epic poem. He had originally planned an entire opera, then a Singspiel, and finally an oratorio....

Robert Schumann placed great importance on the genre of the 'overture,' as can be seen in the chronology of the genesis of his sole opera Genoveva. In his 'Haushaltbuch' the composer entered as his fi...

The piece is a masterful example of program music that seemingly casually interweaves two Russian folk songs, a liturgical melody of the Russian Orthodox Church and two national anthems, the Marseilla...