Partituras de Breitkopf & Härtel para orquesta

Experience a masterpiece of passionate drama and profound emotional depth with the Symphony No. 4 in F minor, Op. 36. This monumental orchestral work captivates musicians and audiences alike – from th...

Johann Sebastian Bach's solo cantata "Ich habe genug" (BWV 82) is widely considered one of the most intimate and deeply moving masterpieces of sacred vocal music. Alongside the original version for ba...

Already published twice in print during Bach's lifetime: an important document of the early classical period, a historical turning point with an outlook on musical development well into the 19th centu...

The Urtext edition of the 'Lobgesang' Symphony takes into account for the first time voice material prepared for the first performances in Leipzig and contributes to the clarification of several diffe...

Original cadenzas in EB 5940 36 cadenzas to own piano concertos

If 'several music lovers and music directors consider this mass to be genuine and well Mozartian' (original statement Ludwig Ritter von Köchel), we want to do the same with good reason. '

Mendelssohn composed his concert piece op. 113 on a (single) December day in 1832 for the clarinetist friends Heinrich and Carl Baermann with the humorous subtitle 'Ein großes Duett für Dampfnudel ode...

Franz Beyer's Urtext edition, even in cases of occasional inconsistency, adheres to Mozart's transcription.

Franz Schubert's Symphony No. 5 in B-flat major (D 485) is one of the most beloved and charming masterpieces at the transition from Viennese Classicism to early Romanticism. Radiating youthful freshne...

In addition to a preface and a detailed critical report, our score also contains Schubert's extensive piano sketch, which allows important conclusions to be drawn about the creation of the 'Unfinished...

The new edition is based on the autograph and contemporary voice material as authentic sources.

Choral score, piano reduction and libretto are usable for both versions. Sigismund Ritter von Neukomm completed Mozart's Reuqiem in 1821 with the liturgically necessary 'Libera me, Domine'.

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

George Frideric Handel's Organ Concerto No. 10 in D minor, Op. 7/4 (HWV 309) is one of the most compelling and dramatic works in the Baroque concerto repertoire. The masterful dialogue between the vir...

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

Breathe new orchestral life into baroque masterpieces: The "Suite nach dem Notenbüchlein für Anna Magdalena Bach" combines the timeless grace and familiar warmth of Johann Sebastian Bach's celebrated...

With "Exsultate, jubilate" K. 165 (158a), Wolfgang Amadeus Mozart crafted an incomparable masterpiece of sacred vocal music brimming with youthful brilliance, elegance, and virtuosity. This world-reno...