Partituras de Breitkopf & Härtel para orquesta

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

orch 25'

orch 38'

Without Carl Reinecke's Concerto in D major op. 283, the 19th century would be a pretty white spot on the repertoire map of the genre 'flute concerto'.

The score and orchestral parts are available for purchase for the first time in a new edition of La Mer.

Marche fatale is a incautiously daring escapade that may annoy the fans of my compositions more than my earlier works, many of which have prevailed only after scandals at their world premieres. My Mar...

My first violin concerto, 'The Psalms of Taciturnity', describes the inner feelings that cannot be expressed verbally, but that also cannot remain unexpressed. There is the human spirit's pain, sorrow...

My own new orchestral composition has the title 'WRITING'. The practical action of writing, as a mechanical action by hand, pen, brush, on a surface (paper, parchment, stone, etc.), triggered and cont...

Mendelssohn's overture was inspired by two poems by Goethe, which had already inspired Ludwig van Beethoven to write a choral work accompanied by orchestra. The main work on this piece probably took p...

A repertoire work in the Urtext for practice edited by Christoph Hellmundt.

Urtext-Neuland: Die Ouvertüre Leonore Nr. 3 To this day, the two central Fidelio overtures are performed from musical texts that date back to the inaccurate and erroneous first printings of the parts....

... without a warm feeling of love' 'Tchaikovsky urtext' is no longer a rarity in the Breitkopf orchestral catalog. Polina Vajdman edits an extremely popular repertoire work, which the composer himsel...

Un 'fuego artificial' en Urtext Después de 'Boléro' y 'La Valse', una tercera obra de Ravel, muy interpretada, se incluye en el programa orquestal de Breitkopf - y esto, por supuesto, en una edición '...

The cycle Seven Early Songs, based on texts by Lenau, Rilke, Storm and other poets, was compiled in 1928, more than twenty years after the individual songs were composed. Alban Berg selected seven of...

On their way to Salzburg, Constanze and Wolfgang Amadeus Mozart made a stopover in Linz in the fall of 1783. The stay was productive: the 13-voice, four-movement Linz Symphony was created. To compose...

Vals de los sueños 'À l'exemple de Schubert' - Ravel reinventa el vals, inspirándose en Liszt, Chopin, Schumann y Chabrier, transformando los giros rapsódicos de la danza y lanzándola al siglo XX. Rav...

En su Hommage Le Tombeau de Couperin, Ravel no se dirige tanto al propio Couperin como a la música francesa del siglo XVIII. Por otra parte, el editor Jean-Francois Monnard expone en su prefacio cómo...

First the general news on the consistently closed group of works: with the new edition of the G minor Symphony, the three late Mozart works K. 543, 550 and 551 are now available in the Breitkopf Urtex...

Little is known about the actual composition process of Lemminkäinen and the performance and publication history is rather complex, resulting in a first complete printing of all the four movements en...

Little is known about the actual composition process of Lemminkäinen and the performance and publication history is rather complex, resulting in a first complete printing of all the four movements en...

Little is known about the actual composition process of Lemminkäinen and the performance and publication history is rather complex, resulting in a first complete printing of all the four movements en...

The first textcritical edition of Mahler's most extensive work is a further milestone in the project, 'Mahler - The Symphonies.' The many sources first consulted here for an edition include, among oth...

Desde su estreno ha suscitado reacciones apasionadas. A día de hoy, la Quinta de Mahler sigue siendo un trabajo duro tanto para los intérpretes como para los oyentes, además de un problema (casi) irre...