Partituras de Breitkopf & Härtel para orquesta

Schumann, The Symphonies 5 study scores in slipcase

The first set of Slavonic Dances, edited by Dvorak expert Klaus Döge, constituted a small series of works in 1996, which continued to grow in the following years.

A key work of the romantic concert literature Edition for violin and piano marked by Robert Schumann

Something "completely new and unheard-of" would be offered to the audience, Robert Schumann wrote to Franz Liszt at the end of 1851, referring to the premiere of his "dramatic poem" Manfred. Already a...

Oh, the tempi! A terrible thing!, Dvorák repeatedly complained. Not without reason, as the renowned Dvorák expert Klaus Döge found in the edition of the '8th'.

La nueva edición Urtext de Jean-François Monnard se basa por primera vez en una comparación erudita de las fuentes. Se basa en el primer borrador de la partitura de Ravel y en su partitura manuscrita...

Complete for the first time: Mozart's 'zeroth' Horn ConcertoWhen two sheets with 60 additional measures to the well-known Rondo K. 371 appeared in 1988, it was a sensational discovery.

Cliff Eisen is responsible for a secure original text based on the autograph and knowledge of historical performance practice. Andrew Manze completes the edition with his instrumentally appropriate an...

The triple 'Hafner-Musique' Wolfgang Amadeus Mozart composed the Hafner Symphony K. 385 in the summer of 1782 on the occasion of the nobilization of his friend and patron Sigmund Hafner. In addition t...

The fact that the Sibelius Symphony, which is now performed most often, provoked controversial aesthetic reactions after its first performances in Finland at the time seems almost inconceivable today.

Russian music researcher Polina Vajdman has gone back to all relevant sources in her editing.

For the premiere in London on May 14, 1832, he prepared a fundamental new version, and Mendelssohn continued to fine-tune details until the first printing of the score, which was published by Breitkop...

For the 'Fidelio' overture, composed at lightning speed in 1814, a copy of the score in the Austrian National Library today provides a reliable basis for a new text-critical edition.

Schumann's 'Sinfonietta' in the Urtext The intensity with which Schumann dealt with the symphony is shown not only by the four known works themselves, but also by compositions that stand between the g...

1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur "Musik für Saiteninstrumente, Schlagzeug und Celesta". Bartók gelang dabei eines der großen Meisterwerke des...

Little is known about the actual composition process of Lemminkäinen and the performance and publication history is rather complex, resulting in a first complete printing of all the four movements en...

… a forest god in New York The symphonic poem Tapiola is the final major composition for orchestra that Sibelius was able to complete and publish. In January 1926 he had accepted the commission from t...

Gewiss hatte Robert Schumann recht, als er bald nach Beethovens Tod konstatierte, dass dessen Konzeption von der Sinfonie als großem, universellem Bekenntniswerk von der nächsten Komponistengeneration...

Die Ouvertüre zu Ruy Blas, die letzte von Felix Mendelssohn Bartholdy komponierte Ouvertüre, ist nicht als frei konzipierte Partitur, sondern als Eröffnungsstück einer Bühnenmusik entstanden. Allerdin...

Of all his symphonies, Mahler gave the Fourth, his favorite and problem child, his most particular attention. 'The Heavenly Life,' a humoresque composed in 1892 for soprano and piano, which he already...

Mahlers Neunte singt von Schönheit, Liebe und Vergänglichkeit. "Welt! Lebe wohl" notierte Mahler über den letzten Takten. Seine letzte vollendete Symphonie umarmt die Welt von Gestern und stößt zuglei...

Richard Strauss was aware (especially following the success of his 'Don Juan') of his reputation and above all of his 'value' as a composer, which led him to rewrite several of his successful works by...

Joachim Raff's Fifth Symphony "Lenore" op. 177, composed in 1872, reveals the composer as a representative of the middle ground between Neo-German aesthetics and the symphonic tradition. It owes its n...