Partituras de Camille Saint-Saëns para música de cámara

Composed when Camille Saint-Saens was only 22 years old, this Tarantella is an exciting dance in 6/8 time. Originally orchestrated for solo instruments with orchestra, this piece is most commonly perf...

aus Der Karneval der Tiere

Una versión para quinteto de viento de la encantadora y elegante pieza solista para trompa de Saint-Saens. La trompa conserva la parte solista original mientras que los demás intérpretes proporcionan...

Wind quartet in variable instrumentation (brass, woodwind, also mixed choral instrumentation). The present two pieces from the 'Oratorio de Noel', op. 12 (1858) by the important French Romantic compos...

Originally commissioned for brass tentet without percussion by the virtuoso players of the London Symphony Orchestra Brass, this arrangement of nine movements of Saint-Saëns' masterpiece now has an o...

This classic work by Camille Saint-Saëns is a terrific addition to the baritonetuba quartet repertoire. With the entire ensemble sharing the thematic material throughout the three movements - The Elep...

This classic work by Camille Saint-Saëns is a terrific addition to the baritonetuba quartet repertoire. With the entire ensemble sharing the thematic material throughout the three movements - The Elep...

This classic work by Camille Saint-Saëns is a terrific addition to the brass quintet repertoire. With the entire ensemble sharing the thematic material throughout the three movements - The Elephant, T...

This classic work by Camille Saint-Saëns is a terrific addition to the brass quintet repertoire. With the entire ensemble sharing the thematic material throughout the three movements - The Elephant, T...

This Camille Saint-Saens transcription will definitely be a hit with grade 4 ensembles. Excellent for concert or contest programming, the energy and delightful contrast make them terrific choices for...

Danse Macabre (Dance of Death) was inspired by a poem of Henri Cazalis: Zig, zig, zig, Death in a cadence, Striking with his heel a tomb, Death at midnight plays a dance-tune, Zig, zig, zig, on his vi...

Adapted in 1988 by tubist Karl Kramer during his days with The Brass Ring, each member of the quintet is showcased in one of the five movements -- trumpet in March Of The Royal Lion, French horn in Sw...

aus 'Der Karneval der Tiere'

Ludwig van Beethoven's overpowering legacy caused many subsequent composers to avoid writing string quartets at all. Saint-Saëns was no exception in this respect and waited until 1899 and 1918 to prod...

La sombra abrumadora de Ludwig van Beethoven hizo que muchos compositores posteriores dudaran en aventurarse a componer cuartetos de cuerda. Saint-Saëns no fue una excepción en este sentido y escribió...

Ludwig van Beethoven's overpowering legacy caused many subsequent composers to avoid writing string quartets at all. Saint-Saëns was no exception in this respect and waited until 1899 and 1918 to prod...

La sombra abrumadora de Ludwig van Beethoven hizo que muchos compositores posteriores dudaran en aventurarse a componer cuartetos de cuerda. Saint-Saëns no fue una excepción en este sentido y escribió...

Psalm 137 "Super flumina Babylonis" also known as "By the rivers of Babylon" was an inspiration for many composers including Camille Saint-Saëns. He repeatedly occupied himself with his psalm motet fo...

Psalm 137 "Super flumina Babylonis" also known as "By the rivers of Babylon" was an inspiration for many composers including Camille Saint-Saëns. He repeatedly occupied himself with his psalm motet fo...