Partituras de Clásico medio

Stuart Beatch's a boy & a boy sets a romantic and ultimately tragic text by poet Matthew Stepanic. Written as a response to Eric Whitacre's well-known work A Boy and a Girl, Beatch describes this piec...

Rajasekar ha recurrido a la gramática melódica y rítmica de ambas tradiciones de la música clásica india, la indostánica y la carnática, para crear una celebración coral única de la primavera. El títu...

Esta obra gloriosa, sentida y, en ocasiones, angustiosa, presenta un texto premonitorio de Nicholas Andreas Vrenios, víctima del atentado de Lockerbie en 1988. McDowall emplea adornos vocales, disonan...

La conmovedora Angel of the Battlefield de McDowall, encargada originalmente por el Coro de la Escuela de Arte de Glasgow como parte del proyecto Composeher, es a la vez una exposición de los horrores...

Las obras para coro están representadas en la obra de Leoš Janácek (1854-1928) desde sus inicios como compositor hasta casi los últimos días de su vida. Ya en su juventud se dedicó intensamente a la d...

En 2016 se cumplió el centenario de la muerte de Max Reger. Además de su campo creativo más conocido, las obras para órgano, sus composiciones para coro forman otra parte importante de su obra. Esta e...

Los dos poemas "Triptyk" (Tríptico) y "Mörkblå tillit" (Confianza azul oscuro) fueron escritos por la poeta y capellán de hospital Kerstin Dillmar. "Triptyk" es un viaje interior en tres partes, por a...

Let us build a house is the closing hymn of Kim André Arnesen’s large-scale work, The Stranger. Instead of a typical majestic ending to a large work, Arnesen went for a quiet one with only an unaccomp...

Adaptación de Velvet Shoes de Elinor Wylie, el texto de este villancico retrata la atmósfera tranquila, casi espeluznante, de caminar solo sobre la nieve fresca. La puesta en escena musical refleja el...

For my composition Cosa devo fare, I was inspired when I read the text accompanying the picture cycle Books of Venice by the Latvian artist Ilmars Blumbergs, who died in 2016. The Books of Venice, con...

Motet for five voices (SATBB) for Feasts of the Blessed Virgin Mary.

1. Miserere 2. Du, dem nie im Leben 3. Amplius

After ending his studies with Sechter, Bruckner wrote his Ave Maria in 1861. On October 3, 1861 he reported in a letter: "I was, in the end, splendidly aplauded by my choir—twice.“ In this very sound-...

After ending his studies with Sechter, Bruckner wrote his Ave Maria in 1861. On October 3, 1861 he reported in a letter: "I was, in the end, splendidly aplauded by my choir-twice.“ In this very sound-...

This gradual for the Feast of Holy Church Fathers was composed in 1879. The Lydian setting is, as Bruckner himself said, "without sharps, without flats, without triads on the 7th step, without six-fou...

This gradual for the Feast of Holy Church Fathers was composed in 1879. The Lydian setting is, as Bruckner himself said, "without sharps, without flats, without triads on the 7th step, without six-fou...

In this interesting motet by Bruckner, short imitative choral sections alternate with monophonic chorale passages. There are also sections in the old falsobordone setting. The short work on a verse fr...

In this interesting motet by Bruckner, short imitative choral sections alternate with monophonic chorale passages. There are also sections in the old falsobordone setting. The short work on a verse fr...