Partituras de Clásico medio

Instrumentation: Violin I, Violin II, Violin III (Viola TC), Viola, Cello, Bass, Piano This is a wonderful new setting of a little known Debussy piano piece in the style of one of his more famous piec...

Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for...

Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for...

Streicher-Ergänzungssatz

Stimmensatz - 5 Violinen I, 5 Violinen II, 5 Violoncelli/Kontrabässe

As to melody, harmony, string setting and particularly the treatment of the miniature form, the work of the sixteen-year-old Schubert shows all characteristics of the later master. It can be performed...

Apart from his numerous instrumental works, Carl Stamitz left also four horn concertos. For reasons of the playing technique, the concerto was transposed down a semitone in the present edition. This w...

Apart from his numerous instrumental works, Carl Stamitz left also four horn concertos. For reasons of the playing technique, the concerto was transposed down a semitone in the present edition. This w...

With this lively suite, the Hungarian music -teacher and pupil of Kodaly created a very in-s-tructive piece. Since all parts have independ-ent melodic tasks and are very often opposed to each other on...

Stimmensatz - 4 Violinen I; 4 Violinen II; 4 Violinen III; 3 Violoncelli; 2 Kontrabässe - Streichorchester

Ein dreisätziges Werk von einfachem Satzbau und klarer musikalischer Gestik. Als Anfangskonzert für das Studium der Sololiteratur geeignet, außerdem ein ansprechendes Repertoirewerk für Kammerorcheste...

Partitur = Cembalo - 3 Violinen, Streichorchester und Basso continuo

This work originally composed for string quartet was conceived by Mozart for choric instrumentation. As to the playing technique, it is not very difficult.

Stimmensatz - 5 Violinen I; 5 Violinen II; 3 Violen; 3 Violoncelli/Kontrabässe - Streichorchester

18th century ballroom dances.

18th century ballroom dances.

Stimmensatz - 5 Violinen I; 5 Violinen II; 3 Violen; 3 Violoncello; 2 Kontrabässe - Streichorchester

The genre of the violoncello concerto was born in 17th-century Italy. Thanks to the Venetian composer Antonio Vivaldi (1678-1741), there exists today not only a wealth of magnificent violin concertos...