Partituras de Clásico medio

Composed shortly after his iconic New World Symphony, Dvorak's String Quartet No. 12 (American) reflects the composer's fondness for America, during his tenure in New York and vacation in Iowa. Featur...

This powerful original contains driving rhythms and soaring melodic lines in the Bohemian folk style. An aggressive style of playing with a gritty, Bartok-like quality should be encouraged. Accurate i...

This interesting and unique version by Mannheim Steamroller, adapted from Tchaikovsky's Dance of the Sugar Plum Fairies, is funky yet tastefully sophisticated (as only Mannheim Steamroller can do!). C...

A new edition designed especially for American musicians, with these beautiful bel canto songs available for the first time in two keys, with new line-by-line English translations for study. Includes...

La Misa Pastoral op. 24 se publicó por primera vez el 24 . Se interpretó en Augsburgo en diciembre de 1851 y desde entonces se ha convertido en parte integrante de la música navideña de las iglesias b...

A unique CD and matching folio specially developed for female singers auditioning for shows, revues and bands. The CD gives you full professional backing tracks, each recorded in the most appropriate...

Dark Wind Blowing' ist der Titel der 1961 publizierten zweiten Gedichtsammlung des australischen Poeten, Hochschullehrers und Opernkritikers Valentine Thomas Vallis (1916 - 2009). Nach seinem Tod verg...

The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...

Para voz femenina y piano.

Mezzosoprano y piano.

soprano y piano Siempre me han impresionado los escritos de Edgar Allan Poe (1809-1849), y cómo su poesía parece prestarse tan bien a la música. The Haunted Palace es un poema que posee una atmósfera...

Music by Ernesto Cordero and texts by Juan Ramon Jiménez, Luis Llorens Torres and Nimia Vicens, this song collection is a beauty to behold.

Four Arms, Two Necks is a setting of a 17th century anonymous poem. The timelessness of the words in the love poem struck me and I set it to music, later dedicating the song to two friends, Anda and B...

This highly expressive and inventive song cycle utilizes a lush prepared piano sound-world intertwined with beautiful vocal writing and text setting. The composer tells us, “This cycle is imagined as...

Après un rêve Op.7, No.1, composed by Gabriel Fauré with traditional Tuscan words. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for high voice...

Arpège Op.76, No.2, composed by Gabriel Fauré with words by Albert Samain. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for high voice with pia...

Clair de lune (Op.46 No.2), composed by Gabriel Fauré with words by Paul Verlaine. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for high voice...

Danseuse Op.113, No.4, composed by Gabriel Fauré with words by Renée de Brimont. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for high voice wi...

Diane, Séléné Op.118, No.3, composed by Gabriel Fauré with words by Jean de La Ville de Mirmont. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick f...

Exaucement Op.106, No.1, composed by Gabriel Fauré with words by Charles Van Lerberghe. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for high v...

La Lune Blanche Op.61, No.3, composed by Gabriel Fauré with words by Paul Verlaine. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for high voice...

Le Secret Op.23, No.3, composed by Gabriel Fauré wkith words by Armand Silvestre. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for high voice w...

Les Berceaux Op.23, No.1, composed by Gabriel Fauré with words by Sully Prodhomme. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for high voice...

Les Roses d’Ispahan Op.39, No.4, composed by Gabriel Fauré with words by Leconte De Lisle. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for hig...

Lydia Op.4, No.2, composed by Gabriel Fauré with words by Leconte De Lisle. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for high voice with pi...