Partituras de Clásico medio

1st voice flute 2nd voice oboe 3rd voice clarinet in Bb 4th voice horn in F 5th voice bassoon (bass clarinet)

Woodwinds CHORUS A 1st voice in C (flute ad. lib.) 1st voice in C (oboe) 1st voice in Bb (clarinet/soprano sax./flugelhorn/cornet) 2nd voice in C (oboe) 2nd voice in F (English horn) 2nd voice in Bb (...

Anmerkung der Komponistin: 'Ein lyrisches Stück, das versucht, niemals den Boden zu berühren - denn ursprünglich war es ein Lied für Kinder über das Fliegen im Traum. In einer Version für großes Orche...

The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...

1. Si suoni la tromba Una de las arias más difíciles del conjunto, esta pieza emplea una nota extra-armónica prominente (el mi sostenido en la cadencia del compás 40 - logrado en la trompeta natural '...

Der Titel, aus dem Spanischen kommend, bezieht sich auf die sehr unterschiedlichen Arten des Zusammenspiels der beiden Stimmen. So bewegen sie sich teils im großen Abstand voneinander, teils eng zusam...

Suite Detroit: Sounds of an American City was commissioned by the Music Teachers National Association to provide young musicians with the experience of collaborative music making. Each of the three mo...

Flöte (Violine), obligates Cembalo und Basso continuo

Oboe, Violine (oder 2 Violinen) und Basso continuo

Partitur = Cembalo, Klavier, Orgel

In his dedication of 20th June 1608 to Count Scripo Nascica Fantagucci, the printer alessandro Rauerij emphasized that his collection contains some of the most outstanding works by the most modern and...

Partitur - Oboe, Streicher und Basso continuo

Partitur = Cembalo/Klavier

2002 komponierte Elena Kats-Chernin nach Hans Christian Andersens Märchen 'Die wilden Schwäne' das Ballett 'Wild Swans' für Australian Ballet und die Choreografin Mery Tankard - beide Künstlerinnen ha...

Being Russian born I have a strong connection to the ballet scores of Tchaikovsky, Prokofiev and Stravinsky, and as a result in the Wild Swans, more than in any other work of mine, I allowed myself th...

The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...

The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...

The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...

Mi Serenata in Stile Antico está muy influida por la música barroca italiana del siglo XVII. El movimiento de apertura, Ciaconna, se basa en una línea de bajo de cuatro compases que se repite. El sigu...

Mi Serenata in Stile Antico está muy influida por la música barroca italiana del siglo XVII. El movimiento de apertura, Ciaconna, se basa en una línea de bajo de cuatro compases que se repite. El sigu...

I. A un pez (2') II. Un Pez Responde (ca. 1'30) III. El Pez se convierte en Hombre, y luego en Espíritu, y vuelve a Hablar (ca. 3'30)