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Discover baroque brilliance and chamber music elegance with "6 Sonatas Vol. 1: Nos. 1–3", published by the renowned Schott Musik. This masterful work for two cellos (or alternatively violas da gamba)...

Immerse yourself in the rich sonic world of the Baroque era with Volume 2 of the celebrated collection "6 Sonatas" (Nos. 4–6), published by the renowned Schott Music. This edition presents a captivati...

These duets for cello by Jacob Klein, now published complete for the first time, are among the most beautiful duets of their kind from the Baroque. Their melodic and harmonic richness coupled with a d...

Krzysztof Penderecki's fondness for the cello becomes apparent. The solo part is juxtaposed by four other cellos. The resulting sound blocks interplay with each other which is in turn repeatedly inter...

Fitting the violoncello like a glove, the concert études by the Russian composer Mikhail Bukinik (1872-1947) are also suited for concert performances. The études are compulsory pieces at the Internati...

The sonatas by Antonio Vivaldi (1678-1741) are without doubt among the best compositions for violoncello and basso continuo created in the baroque era. Of these works, it is the Sonata in E minor (RV...

La melancólica y popular "Pavana para una princesa muerta" de Maurice Ravel, compuesta en 1899, fue escrita originalmente para piano antes de que la arreglara para orquesta en 1910. Aunque está dedica...

The Ricercari for violoncello by Domenico Gabrielli are among the earliest pieces for solo cello. They are pieces of improvisational character.With the faithful reproduction of the text and the facsim...

The tremolo study 'Recuerdos de la Alhambra' composed in 1896 is, without doubt, the most famous piece by the Spanish composer and guitarist Francisco Tárrega, bringing back memories of the fortified...

For Countess Josephine of Clary-Aldringen, Beethoven wrote several works for mandolin and piano four of which are still extant. These new arrangements adhere as closely to the original as possible and...

Joseph Reinagle, 1762-1825, was a well-known cellist and cello teacher, who had worked under Joseph Haydn's direction during his time in London. These duets are highly recommended for tuition purposes...

The musician Alexander Glasunov (1865 1936) from Petersburg owes his musical career to fellow composer Milij Balakirev who put him in contact with Nikolai Rimsky-Korsakov in 1880 for private studies....

The cellist Friedrich August Kummer is one of the best-known virtuosos of the 19th century. Among his numerous compositions, arrangements and concert paraphrases are these catchy transcriptions of Sch...

The genre of the violoncello concerto was born in 17th-century Italy. Thanks to the Venetian composer Antonio Vivaldi (1678-1741), there exists today not only a wealth of magnificent violin concertos...

The 6 Caprices by the famous 19th-century teacher and virtuoso are aimed at advanced pupils and students. They are intended to focus on improving technique and virtuosity. The accompaniment of a secon...

Rumor Images' sind etwa ein Jahr nach der Urauführung meiner Oper 'Rumor' entstanden und bilden eine für Solocello und Klavier komponierte Konzentration des ersten Bildes. Eine aus Gerüchten wachsende...

This three-movement performance piece is characterized by an elegant classical melody and rewarding technical passages. A challenging piece for lessons and auditions at intermediate level, using the f...

Kompositionsjahr: 2014

Eine Neuerscheinung aus der Cello-Bibliothek: Pendereckis Konzertstück für drei Violoncelli und Orchester gibt es jetzt auch als übersichtlichen Klavierauszug mit Solostimmen - das große, dreisätzige...

The original version for violin dates from 1981, thus being one of the early works by the Israeli composer who teaches at Harvard University. About 35 years later, in 2015, Chaya Czernowin arranged th...

This arrangement of the three-part collection published in 1905 is based on Fritz Kreisler's original version as well as later pianoforte transcriptions by Sergei Rachmaninoff. The harmonies, chromati...

Jörg Widmann composed this short piece in 2015 for the 90th birthday of Pierre Boulez. In this piece, the cello is used in an anything but classical manner: The hands hit the fingerboard, the fingers...