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Bach's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly negl...

Bach's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly negl...

Bach's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly negl...

liturgical intention unknown

Die Kantate 'Der Herr ist mein Hirte' stammt aus dem Jahr 1731 und war offenbar als Ergänzung zum Choralkantatenjahrgang bestimmt, den Bach Ostern 1725 unvollendet abbrach. Bach hat die fünfstrophige...

The cantata 'Nach dir, Herr, verlanget mich' (O my Lord, I long for thee) BWV 150 is one of the earliest cantatas from Bach's Mühlhausen period. Its authenticity was long disputed, partly because of t...

Reconstruction of the supposed original version (Klaus Hofmann); date of composition uncertain

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afiel...

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afiel...

Composed in 1727 for a 'eulogy and funeral oration' for Electress Christiane Eberhardine in the Leipzig University church, the music for the funeral ode is well-known today above all through reconstru...

Composed in 1727 for a 'eulogy and funeral oration' for Electress Christiane Eberhardine in the Leipzig University church, the music for the funeral ode is well-known today above all through reconstru...

Composed in 1727 for a 'eulogy and funeral oration' for Electress Christiane Eberhardine in the Leipzig University church, the music for the funeral ode is well-known today above all through reconstru...

As well as soloists and double choir, Bach's 'great Passion' calls for two complete orchestras. That posed problems even for Bach: he could only perform this Passion in Leipzig St Thomas Church - ther...

Soli SATBB, Coro SATB, 2 Fl, 2 Ob/Obda, Obca, Vga, 2 Vl, Va, Bc. Fassung IV - mit der unvollendeten Revision (1739) im Anhang. Ein Klavierauszug zu dieser Werkfassung liegt ebenfalls vor (Carus 31.245...

Fassung II - Die Johannespassion zählt neben der doppelchörigen Matthäuspassion, dem Weihnachtsoratorium, dem Magnificat und der h-Moll-Messe zu den großen Vokalwerken der Leipziger Jahre Johann Sebas...

Bachs Weihnachtsoratorium ist im Rahmen der Stuttgarter Bach-Ausgaben als wissenschaftliche Edition für die Praxis erschienen. Grundlage der Edition sind Bachs autographe Partitur und die originalen S...

Bachs Weihnachtsoratorium ist im Rahmen der Stuttgarter Bach-Ausgaben als wissenschaftliche Edition für die Praxis erschienen. Grundlage der Edition sind Bachs autographe Partitur und die originalen S...

De la cantata de Navidad "Gloria a Dios en las alturas" BWV 197.1 (197a) sólo se conserva el texto y la última hoja de la partitura autógrafa, a partir del final de la 2ª aria. Ésta, así como la 3ª ar...

De la cantata de Navidad "Gloria a Dios en las alturas" BWV 197.1 (197a) sólo se conserva el texto y la última hoja de la partitura autógrafa, a partir del final de la 2ª aria. Ésta, así como la 3ª ar...

De la cantata de Navidad "Gloria a Dios en las alturas" BWV 197.1 (197a) sólo se conserva el texto y la última hoja de la partitura autógrafa, a partir del final de la 2ª aria. Ésta, así como la 3ª ar...

De la cantata de Navidad "Gloria a Dios en las alturas" BWV 197.1 (197a) sólo se conserva el texto y la última hoja de la partitura autógrafa, a partir del final de la 2ª aria. Ésta, así como la 3ª ar...

De la cantata de Navidad "Gloria a Dios en las alturas" BWV 197.1 (197a) sólo se conserva el texto y la última hoja de la partitura autógrafa, a partir del final de la 2ª aria. Ésta, así como la 3ª ar...

De la cantata de Navidad "Gloria a Dios en las alturas" BWV 197.1 (197a) sólo se conservan el texto y la última hoja de la partitura autógrafa, empezando por el final de la 2ª aria. Ésta, así como la...