Partituras de Cole Porter para Big Band

Here is our interpretation of Nelson Riddle's punchy chart for Frank Sinatra. We have adapted the concept to make the chart playable by a regular 5444 big band line-up, with no strings or tuned percus...

This is an up-tempo swingy version of What Is This Thing Called Love, the original Shaw arrangement being attributed to Jerry Gray. The first half chorus has a 2-beat feel, moving to full swing for th...

The Trombone section in most big bands rarely gets a chance to show off their collective talent, so we have scored Ella Fitzgerald's version of this fine Cole Porter tune for just Vocal, Trombones and...

Recorded by Anita O'Day in 1955 this supercool chart oozes class and style. It is a vocal feature from top to bottom and the vocal lines are skillfully supported by just a rhythm section and 4 Trombon...

This is an optional String Pack for our arrangement of 'I've Got You Under My Skin', and comprises Violins A, B & C (3 copies each), Violas (2 copies) and Chelli (2 copies), plus a condensed score of...

This song was written by Cole Porter for his 1941 musical 'Let's Face It' and featured in Ella's Cole Porter Songbook album. It is an up-tempo swinger with a predominantly minor feel, and we have stay...

This arrangement of Anything goes is scored as a female vocal, very much in the style of Ella Fitzgerald. The intro features the rarely heard verse before moving into swing tempo at a medium 120 beats...

Written by Cole Porter for his 1953 musical 'Can-Can', this Ella Fitzgerald chart is an up-tempo, hard swinging version (originally scored by Buddy Bregman for her Cole Porter Songbook album) with a c...

We think that the Trombone section in most big bands rarely gets a chance to shine and show off their collective talents, so we have taken Ella Fitzgerald's version of this fine Cole Porter tune and s...

This version of Cole Porter's classic tune is from Peggy Lee with the Benny Goodman band of 1941. We have augmented the brass to 8 voices and scored Goodman's short Clarinet solo on the Alto 2 part. I...

Transcribed from a live performance and adapted to suit a full 5444 band line-up, this Bobby Darin chart swings from top to toe. It opens with only vocal, bass & drums and the full band only enters mi...

This laid back medium groove Lena Horne version of the Cole Porter standard, originally on 'Give the Lady What She Wants', is now featured on the recent album 'Essential Jazz Singers'. Recorded in the...

Transcribed from the Harry James recording by Cy Payne.

Cole Porter penned some fabulous songs. My Heart Belongs to Daddy was written for the 1938 musical, Leave it to Me, and has a wonderfully naughty lyric where 'daddy' means 'sugar daddy'. Our arrangeme...

This song was written by Cole Porter for the musical Kiss Me Kate. Our arrangement is similar to that performed by the great Julie London. This chart moves along nicely, with a mix of two and four bea...

Classic Cole Porter! Although written in the 1920's this number still has great entertainment value. Anyone who has heard the 'husky' Eartha Kitt version will never forget it. This Cy Payne chart is i...

A great standard for your vocalist with a bossa groove around 160 BPM. Lead trumpet range is to a written A above the staff with a written-out tenor sax solo and optional C, B-flat, E-flat, and trombo...

A great standard for your vocalist with a bossa groove around 160 BPM. Lead trumpet range is to a written A above the staff with a written-out tenor sax solo and optional C, B-flat, E-flat, and trombo...

A great standard for your vocalist with a bossa groove around 160 BPM. Lead trumpet range is to a written A above the staff with a written-out tenor sax solo and optional C, B-flat, E-flat, and trombo...

A great standard for your vocalist with a bossa groove around 160 BPM. Lead trumpet range is to a written A above the staff with a written-out tenor sax solo and optional C, B-flat, E-flat, and trombo...

A great standard for your vocalist with a bossa groove around 160 BPM. Lead trumpet range is to a written A above the staff with a written-out tenor sax solo and optional C, B-flat, E-flat, and trombo...

A great standard for your vocalist with a bossa groove around 160 BPM. Lead trumpet range is to a written A above the staff with a written-out tenor sax solo and optional C, B-flat, E-flat, and trombo...

A great standard for your vocalist with a bossa groove around 160 BPM. Lead trumpet range is to a written A above the staff with a written-out tenor sax solo and optional C, B-flat, E-flat, and trombo...