Partituras de Compositoras en Boosey & Hawkes

An exciting collection of pieces for beginner violinists with a 'showbis' theme. Easy but characterful the pieces progress gradually from using open strings to playing with three fingers. An ideal as...

A further set of pieces in the third position which is used throughout without change of finger pattern. A preliminary exercise for the appropriate key establishes the required shift and the range of...

Piece by Piece 1 & 2 - Graded pieces in attractive contrasting styles, following on from 'Right from the Start'. Includes traditional melodies, tunes from the classical repertoire and original, jazzie...

Piece by Piece 1 & 2 - Graded pieces in attractive contrasting styles, following on from Right from the Start. Includes traditional melodies, tunes from the classical repertoire and original, jazzier...

Leokadiya Kashperova (1872–1940), hitherto consigned to a footnote in musical history as Stravinsky’s piano teacher, is undergoing rediscovery. A double graduate of the St Petersburg Conservatoire, sh...

Margaret Walker's text leaps off the musical page as words crying to be sung. 'My grandmothers were strong. They followed plows and bent to toil.' This was not frailty - this was determined womanhood....

Ausgestattet mit dem Text eines lateinischen Hymnus aus dem 4. Jahrhundert, erkundet dieses feurige Stück den Kontrast zwischen Himmel und Hölle in einem neoklassizistischen Stil. Der Anlass für diese...

In ihrem Stück, das Doreen Rao und ihrem CME Institute (Choral Music Experience) gewidmet ist, erzählt Komponistin Andrea Ramsey mit musikalischen Mitteln von der Reise, die viele von uns im Leben sch...

Winner of the 2004 Emerging Composer Competition awarded by the Yale Glee Club, this work is a setting of the Latin antiphon by Hildegard von Bingen. Alternating between joy and reflection, this buoya...

Originally written for treble voices, this musical setting of the William Blake text is equally exciting for mixed voices. An energetic, inventive and rhythmically vibrant work, your choir will explor...

Panda Chant is a section from The Games: a science fiction opera by Meredith Monk and Ping Chong, which was originally created for the Schaubühne Ensemble of West Berlin. Monk composed the music and a...

Rarely are women's choirs given such strong and heroic songs to put their mark on. These offer a wonderful opportunity for your women's choirs to show their dynamic and emotional ranges.

Based on poetry by Sara Teasdale, this work, in the composer's words, is 'a passionate roller-coaster ride, surprising and exhilarating, and over before one knows it.' This piece will be a striking sh...

Amberwood Overture is in ABA form. There are no key changes and the rhythms throughout are simple, thus allowing extra rehearsal time for tone development as well as attacks and releases. The attacks...

This medley features three well-known American folk songs: Billy Boy, This Old Man and Skip to My Lou. The beat remains constant throughout the piece. (2:30)

Shelley Hanson originally composed Islas y Montañas for orchestra. Tocata is the first movement and functions as a fanfare or introduction. It features the entire ensemble clapping rhythmic patterns b...

Seis Manuel is the 3rd movement of the 4-movement suite Islas y Montañas and represents the traditional song and dance form of the Jibaro people, peasant farmers from the mountains of Puerto Rica. Sol...

Seis Manuel is the 3rd movement of the 4-movement suite Islas y Montañas and represents the traditional song and dance form of the Jibaro people, peasant farmers from the mountains of Puerto Rica. Sol...

Volver A La Montana (Return to the Mountain) is based on several folk tunes of the Quechua (Inca) people of Ecuador, Peru, and Bolivia. Near the end of the movement, the folk song Sepracion (Separatio...

Volver A La Montana (Return to the Mountain) is based on several folk tunes of the Quechua (Inca) people of Ecuador, Peru, and Bolivia. Near the end of the movement, the folk song Sepracion (Separatio...