Partituras de compositoras para canto: Obras para solistas y piano

The contrasting aspects of nature are a major theme in the work of Rhian Samuel, and in her song cycle Spring Diary for baritone and piano she responds passionately to its vernal magic. Beginning in d...

This beautiful art-song collection is names after Phillis Wheatley, America's first female African-American poet, whose poems were an inspiration to George Washington and the other Founding Fathers. T...

Four Shakespeare Songs sets texts exploring different aspects of love. Using passages from various Shakespeare plays, McDowall's writing is beautiful and clever in how it reflects the moods and emotio...

The texts are selected from the letters of Calamity Jane to her daughter Janey, from 1880-1902. The five songs present a stirring picture of an independent woman's struggle to earn a living to support...

Based on poetry by Elizabeth Barrett Browning, Sonnets from the Portugese explores the finding of a mature love by a woman who wonders what part of her must she sacrifice to the lover and to the world...

A song cycle for soprano and piano drawn from Brenda Ueland's 1938 autobiography. Although Ueland's life was nothing out of the ordinary, the philosophy of her writing is to find the joy in everyday e...

Margaret Songs are a collection of three songs of Margaret Elliot, a character in Libby Larsen's chamber opera, Eric Hermannson's Soul, based on a short story of Willa Cather. It charts one woman's em...

Larsen's song cycle is based on the novel by the American writer, Willa Cather, and the songs recount Jim Burden's memories of Ántonia Shimerda during their shared experiences of the pioneering period...

With a text by the composer, this work was inspired by members of the Radcliffe Ladies' Choir and their motto 'friendship through singing'.

This atmospheric setting of familiar words from Shakespeare's As You Like It is sprightly and uplifting, with singers being asked by the composer to perform with 'a bit of frost and a knowing smile'....

Taken from Sanctum, a setting of the Requiem text for upper voices, 'Lux aeterna' features a simple and gentle melody, supported by a new piano part in this arrangement for solo voice. Also available...

Scored for solo high voice and piano, I remember sets a text reflecting on the wonder of the natural world and the people who shape our lives. The stirring melody calls to mind the folksong tradition,...

This secular work for solo high voice and piano sensitively sets Langston Hughes's poem of the same name. A lilting melodic line and an effective piano part combine to create a piece that will appeal...

Reginal Wright's emotional and uplifting Crossroad sets Robert Frost's well-known poem 'The road not taken'. A twinkling piano accompaniment supports the voices, and the optional violin duet floats ab...

Make We Merry is an eight-movement piece which sets texts from the 15th to 19th centuries to a variety of choral textures with a highly characterful accompaniment. A vast array of sentiments is depict...

An expressive carol with text altered from the poem Three Kings came a-riding by the famous 19th century poet Henry Wadsworth Longfellow. Offprinted from the Christmas cantata A Light in the Stable.

Lucy Walker's thoughtful setting of There is no rose flows between swells of emotion and warm chromatic inflections in the Latin refrains. Offprinted from Carols for Choirs 6.

This gentle arrangement for a cappella choir of the well-known fifteenth-century carol conjures a restful but evocatively melancholy atmosphere. The texture is varied by the use of a soprano soloist,...

The piece sets extracts from the philosopher Ludwig Wittgenstein's Tractatus Logico-Philosophicus, and is made up of six choral movements, including a substantial solo role for countertenor. Between t...

für Tenor und Klavier (2000)

Estreno mundial el 19 de agosto de 2000 en Hannover, EXPO Lied: Festival Strahl: Marcus Ullmann (tenor), Michael Wendeberg (piano)