Partituras de compositoras para conjunto mixto: Sonoridad y arte

Maija Hynninen's piano quintet Nine-channeled Pearl flows effortlessly. Beginning with rhythmical gamelan-inspired movement it continues through twirling scales that lead to the heart of the piece - a...

The Nonet op. 38 from 1849 has now been recorded several times and appears regularly in concert programmes. The colourfulness achieved through the variable combination of the different instruments is...

Flute ABEC/Choeurs/Scolaire - Flute A Bec Et Percussions Scolaires Ou 4 Voix Egales Ou Ouvrages D Enseignement

Musique De Chambre - Cordes : Trios

Defenders of the oppressed and fighters against injustice, Victor Hugo and Emile Zola often put their genius to the service of great causes: the abolition of the death penalty and child labor, the adv...

En inglés, los que descansan" son los muertos: los que se han ido antes. En francés, en cambio, los que "restent" son los supervivientes, los que permanecen, los que se quedan. En su díptico para mezz...

Invitada por el Trío Haydée, me asocié con la autora e ilustradora contemporánea Diglee para crear una nueva obra para "De lumières et de cieux embrasés", un programa compuesto íntegramente por piezas...

Eliza Aria by Elena Kats-Chernin has become a worldwide success. Composed for the fairy-tale ballet Wild Swans choreographed by Maryl Tankard in 2003, it has become internationally known as theme melo...

Nachdem sie Ende der 1940er und Anfang der 1950er Jahre privat bei Roger Sessions, Jerzy Fitelberg und Erich ltor Kahn studiert hatte, legte Ursula Mamlok 1957 ihren Master of Music im Fach Kompositio...

Composer's note: 'Spring begins slowly as the elements prepare to burgeon with life. The following rhythmic pattern in D major is sprightly and irregular, everything in different stages of growth. Sum...

2002 komponierte Elena Kats-Chernin nach Hans Christian Andersens Märchen Die wilden Schwäne das Ballett Wild Swans für Australian Ballet und die Choreografin Mery Tankard - beide Künstlerinnen hatten...

2002 komponierte Elena Kats-Chernin nach Hans Christian Andersens Märchen 'Die wilden Schwäne' das Ballett 'Wild Swans' für Australian Ballet und die Choreografin Mery Tankard - beide Künstlerinnen ha...

Composer's note: 'This piece (originally for cello and piano) was written for an exhibition devoted to artists suffering schizophrenia in 2006. At the base of the piece is a 4-chord progression, very...

Anmerkung der Komponistin: 'Dieses Stück wurde 2006 (für Violoncello und Klavier) für eine Ausstellung geschrieben, die Künstlern gewidmet war, die an Schizophrenie leiden. Grundlange des Stücks ist e...

Die Komponistin zählt Green Leaf Prelude zu ihren liebsten Stücken und hat es für unterschiedlichste Besetzungen eingerichtet. Original handelt es sich um dem Beginn der Ballettmusik Wild Swans von 20...

Das rhapsodische, knapp zehnminütige Stück zieht seinen Reiz aus wechselnden Metren und verschiedenen dramatischen Steigerungen innerhalb einer insgesamt dunkel-verhangenen Stimmung. Die 'Ballade' des...

The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...

The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...

Being Russian born I have a strong connection to the ballet scores of Tchaikovsky, Prokofiev and Stravinsky, and as a result in the Wild Swans, more than in any other work of mine, I allowed myself th...

The rhapsodic piece of almost ten minutes draws its charm from changing metres and various dramatic climaxes within an overall dark, overcast mood. The Ballade (ballad) of the title develops, after a...