Partituras de Compositoras para Coro mixto: Versatilidad y arte

This still and reflective motet was written and first performed for the Coronation of Queen Elizabeth II, and is suitable for many festive occasions such as weddings and All Saints' Day. Offprinted fr...

Inspired by a 16th-century Scots text, Jackson has composed a memorable carol full of character and beauty. The choir is serenaded throughout by the organ, which imitates the haunting qualities of the...

This joyful carol sets a text by Henry Wadsworth Longfellow. The piece opens with an imitation of bells spread across the voices, and this festive, celebratory quality is maintained throughout. Simple...

This appealing motet for SATB choir and organ accompaniment was written in aid of Macmillan Cancer Support.

A rich texture is used in Gombert's setting of Quam pulchra es, with all voices singing almost all of the time. This texture is created through refined imitative contrapuntal writing, rather than homo...

Originally published in Epiphany to All Saints for Choirs, this seventeenth-century anthem for The Ascension of the Lord is full of melismatic polyphonic lines and features a fluid tonal centre.

This dazzling work presents an exploration of light in its many forms and uses, from starlight and sunlight to electricity, photosynthesis, or guiding ships to safety. Both piano and voices are used p...

The optional opening section, for which there is a graphic score, is spoken to texts by Henry Wadsworth Longfellow and other esteemed poets and authors. The four sung movements which follow are conven...

Andrew Carter's setting matches in its powerful simplicity the text attributed to the French Quaker missionary, Stephen Grellet: 'I expect to pass through this world but once; any good thing therefore...

Setting the George Herbert poem 'Whitsunday', this lilting, gentle anthem is particularly useful for Whit Sunday services. Syncopations and duplets provide rhythmic interest, with memorable melodies,...

This tender movement from the Advent cantata O Come, Emmanuel is in memory of Bullard's teacher, Herbert Howells, with text translated from a traditional German carol Es ist ein Ros entsprugen. Suitab...

This suite from 1925 is one of Vaughan Williams' most enigmatic pieces. The chorus never articulates a single word, and instead serves as a section of the orchestra, creating an elegant vocal texture...

Higgins' setting of this popular folk song is simple and wistful, particularly well-suited for children's and youth choirs. With delicate quaver flourishes, the piano accompaniment flows gently alongs...

The Island Itself is a setting of the poem Homage to Omey by Irish poet, Joan McBreen. The imagery of the sea conveyed in the text is reflected through lilting, syncopated rhythms. The melody is suppo...

This anthem is set to a text by the 10th-century Sufi mystic, Al-Junaid. For the most part, the mood is intimate and introspective; intertwining, whispered melodies, sometimes in free time, alternate...

This melody is most commonly heard in the United States, and includes Rutter's own arrangement of the sixth and final verse. Orchestral scores and parts are also available on hire. Offprinted from the...

The Nidaros Jazz Mass draws on a variety of jazz styles to present a fun and innovative setting of the Latin Missa brevis. With a stylistic piano part, and an optional bass and drum kit part, it will...

Ingegneri's setting of Estote fortes in bello alternates between declamatory homophonic sections and imitative contrapuntal writing, culminating in a dance-like and joyful finale of 'alleluia' stateme...

Estreno mundial el 5 de junio de 1994 en Hannover: Camerata Vocale Hannover, dirigida por Hans-Dieter Reinecke

Estreno mundial el 28 de octubre de 2004 en Bochum, 4º Festival Coral Internacional del Ruhr "A cappella": Stuttgarter Kammerchor, dirigido por Frieder Bernius