Partituras de Compositoras para Coro mixto: Versatilidad y arte

Christa Steenhuyse-Vandevelde has been teaching for over 30 years with unbridled enthusiasm and unparalleled creativity. Throughout her career she inspired more than a thousand piano students, which s...

This choral work can be performed as an independent composition. If you combine it with the other seasons, please start with 'Dark Seasons' (Fall and Winter) and end with 'Light Seasons' (Spring and S...

This choral work can be performed as an independent composition. If you combine it with the other seasons, please start with 'Dark Seasons' (Fall and Winter) and end with 'Light Seasons' (Spring and S...

This choral work can be performed as an independent composition. If you combine it with the other seasons, please start with 'Dark Seasons' (Fall and Winter) and end with 'Light Seasons' (Spring and S...

El himno vespertino, Te lucis ante terminum, se canta en el "Oficio de Completas", también llamado "Oraciones al final del día". Se desconoce su origen exacto, aunque se encontró una versión en un him...

Rorate Coeli for unaccompanied chorus, was written in 1973 in response to a commission from the National Federation of Music Societies in Great Britain. It was first performed by the Thomas Tallis cho...

Arranged for SATB unaccompanied, with divisions.

Part-song for SATB with divisions (unaccompanied). Words by Ben Jonson.

The six poems set here are all to be found in '100 Poems on the Underground'. For SATB (divisi) A Cappella.

On The Underground (or 'A Medieval Summer') is based upon texts from Poems On The Underground, and was commissioned by the Ionian Singers with funds from The Holst Foundation. Written by Thea Musgrave...

This short choral work was written to celebrate the twenty-fifth season (2012/2013) of The New York Virtuoso Singers.

Hear The Voice Of The Bard was commissioned by King's College, Cambridge, and first performed on Christmas Eve 2013 at A Festival of Nine Lessons and Carols by the Choir of King's College, Cambridge,...

Midnight by Thea Musgrave was commissioned by Laura Lane & the Nova Singers for the American Choral Directors National Convention in San Antonio, Texas, March 4th 1993. Set to text by John Keats. Scor...

Part-song for SATB Choir A Cappella by the award-winning Scottish composer.

Folk-song from Hampshire, collected by G. B. Gardner and arranged for SATB Choir A Cappella.

For SATB unaccompanied. New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral g...

For SATB unaccompanied. New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral g...

for SATB unaccompanied

For unaccompanied SATB to words by Thomas Campion. This is a lilting take on the Elizabethan lute-song full of smooth Stanford-like nineteenth-century harmonies, exquisitely tempered with modal effect...

for unaccompanied SATB Weep you no more, sad fountains is a modern take on the Elizabethan lute-song, integrating the characteristic alternations of minor and major, fondness for cross-relations, and...

For unaccompanied SATB to words by Tennyson.

For SATB unaccompanied. There are three songs making up this cycle entitled 'Western Songs' - Buffalo Gals, Green Grow the Lilacs, and Ol' Chisholm Trail. The arrangements by turn spin contrapuntal an...

For SATB unaccompanied. There are three songs making up this cycle entitled 'Western Songs' - Buffalo Gals, Green Grow the Lilacs, and Ol' Chisholm Trail. The arrangements by turn spin contrapuntal an...

For SATB unaccompanied. There are three songs making up this cycle entitled 'Western Songs' - Buffalo Gals, Green Grow the Lilacs, and Ol' Chisholm Trail. The arrangements by turn spin contrapuntal an...