Partituras de Compositoras: Descubra obras maestras para su instrumento

Setting the modernized words of an Anglo-Saxon metrical charm, this thrilling piece is unusual, dramatic, and beguiling. Featuring a whispered list of potion ingredients for the intro and outro, it al...

Sing, my Child sets a joyful text celebrating the beauty found all around us in everyday life. Characterized by tight harmonies and a dynamic percussion line, the buoyant 7/8 metre of the opening driv...

Morning Light sets an optimistic text by the composer about home and finding your way. Inspired by American folksongs, the captivating melody and warm harmonies perfectly complement the uplifting them...

'TaReKiTa' is a refreshing concert piece that effortlessly blends the Indian and Western classical styles. The composer's scats are combined with a fast triple metre, vocal slides, and captivating mel...

Keeping Time for Joy de Marie-Claire Saindon abunda en la alegría del texto de la escritora contemporánea Sarah Windle en esta edificante pieza. Melodías folclóricas escalares, impregnadas de ímpetu a...

Dedicada a las "hermanas de todo el mundo", esta obra de tres movimientos combina varios temas a través de la poesía de Sara Teasdale. El primer movimiento, "Sister of the Sky" (Hermana del cielo), se...

Composed in 2016 for the Maîtrise de Radio France, 'Ce n'était pas nous' for upper voices sets short poems by Antoine Thiollier which are at once playful and serious.

This a cappella feature for treble or male choirs is an outstanding choice for any time of year. Strong individual voice lines add up to an exciting, dynamic, and vibrant concert feature. ABA format w...

Here's a marvelous music history lesson! This clever a cappella choral features snippets of well-known madrigal texts and music, mixed in with an original contrapuntal theme.

Three-part women's and men's ensembles will excel with this majestic a cappella concert work. Joyful melodic motives are passed from voice to voice, and percussive handclaps bridge varied sections of...

Three-part women's and men's ensembles will excel with this majestic a cappella concert work. Joyful melodic motives are passed from voice to voice, and percussive handclaps bridge varied sections of...

An initial descending line opens up into lush four-part harmony in this contemporary a cappella concert work. Meditative and earnest, Sally Albrecht's prayerful text setting will inspire and uplift yo...

An initial descending line opens up into lush four-part harmony in this contemporary a cappella concert work. Meditative and earnest, Sally Albrecht's prayerful text setting will inspire and uplift yo...

A syncopated opening riff in the lower voices lays the groundwork for this quintessential a cappella spiritual. When the other voices join, we begin a journey of texture, harmonic development, and for...

Written by Mexico's first well-known female composer, María Grever, this vals Mexicano (Mexican waltz) makes a charming a cappella work for outstanding choirs. The textured setting offers well-conceiv...

Vertonung von pastoralen Versen des russischen Dichters Jakow Petrowitsch Polonski, die die Komponisten in den letzten beiden Dekaden ihres Lebens nach ihrem Rückzug aus dem musikalischen Leben im Zug...

This short but beautifully crafted motet for upper voices was composed for the combined girls choirs of Godolphin & Latymer School whilst Kerensa Briggs was Composer in Residence there in 2019. The we...

He escrito esta novela sobre un poema de Isabelle Daccord. C’était en 2008, la petite Mila, nièce d’Isabelle, venait de naître et sa tante souhaitait lui écrire quelque chose. El 'Ch&oelig...

He escrito esta novela sobre un poema de Isabelle Daccord. C’était en 2008, la petite Mila, nièce d’Isabelle, venait de naître et sa tante souhaitait lui écrire quelque chose. El 'Ch&oelig...

A beautiful new tune to the Catholic prayer to Virgin Mary. The prayer begins with the angel Gabriel's greeting to Maria 'Ave Maria, gratia plena, Dominus Tecum!' which means' Hill you, Mary, full of...

These were commissioned by Pamela Cook and Cantamus and were first performed in 1972. They are for unnacompanied SSA voices.

Un hermoso mensaje en un entorno convincente para coros de agudos.