Partituras de Compositoras: Descubra obras maestras para su instrumento

Das Werk beginnt unmerklich ein leise sirrender, zunächst nicht eindeutig zu fassender stehender Geigenton entwickelt sich. Kleinste dynamische Veränderungen werden hörbar und erzeugen durch den Still...

Das Werk beginnt unmerklich ein leise sirrender, zunächst nicht eindeutig zu fassender stehender Geigenton entwickelt sich. Kleinste dynamische Veränderungen werden hörbar und erzeugen durch den Still...

Das Werk beginnt unmerklich ein leise sirrender, zunächst nicht eindeutig zu fassender stehender Geigenton entwickelt sich. Kleinste dynamische Veränderungen werden hörbar und erzeugen durch den Still...

Meditative Ecksätze umrahmen einen kraftvollen Marsch mit choralartigen Passagen und einen flüchtig-flirrenden Tanz. Gemässigt moderne Tonsprache. Mittelschwer. 12'.

Meditative Ecksätze umrahmen einen kraftvollen Marsch mit choralartigen Passagen und einen flüchtig-flirrenden Tanz. Gemässigt moderne Tonsprache. Mittelschwer. 12'.

Meditative Ecksätze umrahmen einen kraftvollen Marsch mit choralartigen Passagen und einen flüchtig-flirrenden Tanz. Gemässigt moderne Tonsprache. Mittelschwer. 12'.

Meditative Ecksätze umrahmen einen kraftvollen Marsch mit choralartigen Passagen und einen flüchtig-flirrenden Tanz. Gemässigt moderne Tonsprache. Mittelschwer. 12'.

Meditative Ecksätze umrahmen einen kraftvollen Marsch mit choralartigen Passagen und einen flüchtig-flirrenden Tanz. Gemässigt moderne Tonsprache. Mittelschwer. 12'.

This piece provides a compositional challenge to find a balance between 2 wind instruments and piano, the general structure of the piece is evolved so that different balances between the 3 instruments...

Originally composed for Flute and Digital Delay, Narcissus was first performed on 15th January 1988 at the Purcell Room, London by Janet Larsson.

Cantilena was commissioned by the London Chamber Music Society to celebrate their move to King's Place in October 2008. First performed by Nicholas Daniel and members of the Chilingirian Quartet at K...

Composed in 1961

This work was commissioned by the Anglo-Austrian Music Society and was written in the last six months of 1966. It is dedicated to Nadia Boulanger for her 80th birthday - 16 September 1967.

Canta, Canta! is a slow and expressive piece for Clarinet, Cello and Piano by Thea Musgrave. This short song is taken from Cantata for a Summer's Day, written in 1954 while the composer was a student...

The score for the original version of Miranda's Lament. Composed in 1997, the piece is part of 'The Tempest Songbook' and was dedicated as a birthday present for Paavo Heininen. The set of parts for t...

Terrestre' was commissioned by Eleanor Eisenmenger in honour of Kaija Saariaho's 50th birthday. It is based on the second movement of the composer's Flute concert 'Aile du Songe', of which the she say...

Kaija Saariaho's Frises for Violin and Electronics. This work was commissioned by Borusan Culture and Arts, Istanbul. The world premiere took place on 2 November 2012 at Borusan Music House, Istanbul,...

Changing Light, arranged for soprano and flute, was first performed by Valérie Gabail (soprano) and Camilla Hoitenga (flute) on 20 May 2005 as part of the Festival 'Les Musiques' in Marseille, France....

The Full Score of Kaija Saariaho's Lichtbogen For Nine Musicians and Live Electronics. The title for this work stems from the composer's experience of seeing the Northern lights whilst starting work...

Amers is the title of a book of poems by Saint-John Perse, dedicated to the sea. It is also the title chosen by Kaija Saariaho, born in Finland in 1952, for a work completed in the studios of IRCAM in...